Porto Alegre, Salvador, Recife: destinos e errâncias de uma pesquisadora em artes cênicas

Ana Paula Zanandréa

doi:10.5433/boitata.2018v13.e35135

Authors

Ana Paula Zanandréa Universidade Federal do Rio Grande do Sul.

DOI:

https://doi.org/10.5433/boitata.2018v13.e35135

Keywords:

Theatre, Destinerrance, Actor’s direction, Performing arts research, Nomadism.

Abstract

I am not stick to a place. Therefore, I write this essay for Boitatá Journal while traveling between April and May 2018. It is a journey for different cities without a precise final destination, although my tickets stipulate a specific place of arrival. I count on Jacques Derrida and his philosophical thoughts regarding destinerrance and adestination as accomplices of adventure. With them I make this trip crossing the country geographically and my life temporarily, tacking past and present in comings and goings through trails that constitute me as a woman, nomad, artist, researcher… In this tangle of stories and experiences that I now share with you, reader, in form of a travel journal, some unpretentious reflections emerge about the transits amongst research, travel and artistic practice, especially concerning theatrical direction. Likewise, destinerring between theory and practice, I approach the atopy which indelibly marks my doing in academia.

Author Biography

Ana Paula Zanandréa, Universidade Federal do Rio Grande do Sul.

Director and theatrical producer. PhD student in Performing Arts at the Universidade Federal do Rio Grande do Sul.

References

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