Vol. 24 (2012): Diálogo da literatura com as outras artes

Regina Celia dos Santos Alves (UEL), org.

Discussão, por meio de uma abordagem crítico-interpretativa da literatura, das diversas possibilidades de seu intercâmbio com as outras artes e para contribuir para os estudos no campo da Literatura Comparada. Os trabalhos centraram suas reflexões no diálogo entre a literatura e outras manifestações artísticas, como a música, a pintura, o cinema, o teatro, a arquitetura e a fotografia. Visou-se, ainda, pensar os intertextos e as interações dos pontos de vista temático e formal.

Published: 2012-12-30

Expediente e Apresentação

  • Expediente

    DOI: https://doi.org/10.5433/1678-2054.2012v24p

  • Apresentação

    4
    DOI: https://doi.org/10.5433/1678-2054.2012v24p4

Artigos

  • Iracema flew?!

    Sandra Maria Pereira do Sacramento
    5-15
    DOI: https://doi.org/10.5433/1678-2054.2012v24p5

  • O Auto da Compadecida: a cordel for the cameras

    Luciano Antonio
    16-26
    DOI: https://doi.org/10.5433/1678-2054.2012v24p16

  • Music, cinema and literature in criticism of Mário de Andrade, in Klaxon: Mensário de Arte Moderna

    Adalberto Rafael Guimarães, Telma Borges
    27-38
    DOI: https://doi.org/10.5433/1678-2054.2012v24p27

  • Abstract and concrete in literature and painting: Clarice Lispector and Gastão Manuel Henrique

    Joelma Santana Siqueira
    39-48
    DOI: https://doi.org/10.5433/1678-2054.2012v24p39

  • The enigma of the vision: Clarice Lispector and Merleau-Ponty

    Cicero Cunha Bezerra
    49-58
    DOI: https://doi.org/10.5433/1678-2054.2012v24p49

  • Gender opression and silence: the interfaces between images and letters

    Níncia Cecília Ribas Borges Teixeira
    59-69
    DOI: https://doi.org/10.5433/1678-2054.2012v24p59

  • Narrative and painting in Edmundo de Oliveira Gaudêncio: intersemiotic dialogues

    Marcelo Medeiros da Silva
    70-80
    DOI: https://doi.org/10.5433/1678-2054.2012v24p70

  • “Modern theater” and the Teatro de Brinquedo by Álvaro Moreyra

    Gustavo T. M. Assano
    81-91
    DOI: https://doi.org/10.5433/1678-2054.2012v24p81

  • With the color of darkness and the poetry of the soul: the impressionism in Orígenese Lessa

    Mariângela Alonso
    92-103
    DOI: https://doi.org/10.5433/1678-2054.2012v24p92

  • Gardens in perspective: dialogue between the garden of Parreira’s house, from Eça de Queirós’ short-story “José Matias”, and Claude Monet’s Gladioli

    Paula Aparecida Volupca
    104-116
    DOI: https://doi.org/10.5433/1678-2054.2012v24p104

  • The fall of the house of Usher: an adaptation by Jean Epstein

    Greicy Pinto Bellin
    117-127
    DOI: https://doi.org/10.5433/1678-2054.2012v24p117

  • Hybridization between literature, film and comics: relations between Dostoevsky’s Crime and Punishment and Heitor Dhalia’s movie nina

    Francisco Ewerton Almeida dos Santos
    128-139
    DOI: https://doi.org/10.5433/1678-2054.2012v24p128

  • Without a trace: Walter Benjamin, architecture, history and literature

    Caio Yurgel
    140-150
    DOI: https://doi.org/10.5433/1678-2054.2012v24p140