Analysis of the Brechhtian Theater and its influence in coffee anniversary: literary, artistic and didatic reflections
DOI:
https://doi.org/10.5433/1984-7939.2024v9n1p350Keywords:
Bertolt Brecht, Londrinense Dramaturgy, Didactic, Literature, Nitis JaconAbstract
This article is based on a reflection on the political elements present in the dramatic text Bodas de café, produced by the London-based author Nitis Jacon, in 1984. The starting point for the reflection on the play is the playwright's theory of epic theater German Bertolt Brecht, who opposes dramatic theater, proposing critical reflection on the part of the spectator. Thus, the primary objective of the research is to promote a reflection on human relations with their social environment in the dramatic text, the trajectory of man and his transformations. And the secondary objectives are to highlight the work of London dramaturgy, which is still little researched, and finally, also contribute to new research on the topic of London dramaturgy. The research rescues a great era of London theater, in which theatrical texts were produced and staged with their own language. Both the PROTEU group and the author Nitis Jacon made history and paved the way for Londrina to become this great cultural center, which is still little known. And in it we also emphasize the importance of freedom as the fundamental principle of human rights and educational.
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References
CHIARINI, Paolo. Bertolt Brecht. Tradução de Fátima de Souza. Rio de Janeiro: Civilização Brasileira, 1967.
DEMARCHI, André Luiz. Dramaturgia londrinense: reflexões acerca do elemento político em bodas de café, de Nitis Jacon. 2014. 53 f. Trabalho de Conclusão de Curso (Graduação em Letras Vernáculas e Clássicas) – Universidade Estadual de Londrina, Londrina, 2014.
JACON, Nitis. Bodas de café. Londrina: Grupo Proteu; Eduel, 1984. ROSENFELD, Anatol. O teatro épico. 3. ed. São Paulo: Perspectiva, 2000.
WILLETT, John. O teatro de Bertolt Brecht: visto de oito aspectos. Tradução de Álvaro Cabral. Rio de Janeiro: Zahar, 1967.
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Copyright (c) 2024 André Luiz Demarchi, Ravelli Henrique de Souza, Eduardo Augusto Farias, Marta Regina Furlan
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