Vol. 12 No. 23 (2017)

View Vol. 12 No. 23 (2017)
Published: 2017-09-14

Full Issue

Expediente

  • layer, file, summary

    1-7
    DOI: https://doi.org/10.5433/boitata.2017v12.e30672

Editorial

  • Presentation

    Cristina Mielczarski dos Santos, Laura Regina dos Santos Dela Valle
    8-11
    DOI: https://doi.org/10.5433/boitata.2017v12.e30673

Dossiê

  • Short story, long memory : protagonist representations black in three Hispan American historical romances

    Liliam Ramos da Silva
    12-29
    DOI: https://doi.org/10.5433/boitata.2017v12.e30675

  • Translating language-culture: the case of poisons of god, remedies of the devil of Mia Couto

    Ana Helena Rossi, Marília Evelin Monteiro Moreira
    30-42
    DOI: https://doi.org/10.5433/boitata.2017v12.e30676

  • Tizangara women, a matter of gender: analysis of the female characters in the last flight of flamingo, by Mia Couto

    Evillyn Kjellin
    43-57
    DOI: https://doi.org/10.5433/boitata.2017v12.e30677

  • “By the phone” and samba's trajectory between tradition and modernity

    Gabriel Caio Correa Borges
    58-73
    DOI: https://doi.org/10.5433/boitata.2017v12.e30678

  • I have a city in the eyes: slavery and memory in moroccan poetry Tahar Ben Jelloun

    Israel Victor de Melo
    74-88
    DOI: https://doi.org/10.5433/boitata.2017v12.e30679

  • Telling stories as an element of resistance in Kilomball communities

    Leandro Haerter, Hélcio Fernandes Barbosa Júnior, Denise Marcos Bussoletti
    89-102
    DOI: https://doi.org/10.5433/boitata.2017v12.e30680

  • Insubmission and resistance in the Isaltina Campo Belo Tale, Conceção Evaristo

    Luciana Marquesini Mongim
    103-114
    DOI: https://doi.org/10.5433/boitata.2017v12.e30681

  • South gnoseologies: power-to know-to be in Ponciá Vicêncio

    Maiane Pires Tigre, Inara de Oliveira Rodrigues
    115-129
    DOI: https://doi.org/10.5433/boitata.2017v12.e30682

  • The Oxum cry: possibilities and contradictions for political registration of writing of Conceção Evaristo

    Rafaela Kelsen Dias
    130-143
    DOI: https://doi.org/10.5433/boitata.2017v12.e30683

  • Mouth also plays drums: Ricardo Aleixo's poetry and performance

    Telma Scherer
    144-163
    DOI: https://doi.org/10.5433/boitata.2017v12.e30684

Seção Livre

  • The track paths: expressions from oral literature in south-riograndense frontier

    Geice Peres Nunes
    164-178
    DOI: https://doi.org/10.5433/boitata.2017v12.e30685

  • Experience with the cordel literature as an activity of stimulus reading in the school environment

    Jean Pereira Corrêa
    179-194
    DOI: https://doi.org/10.5433/boitata.2017v12.e30686

  • Divination: playing to say (and to know?)

    Maria Claurênia Abreu de Andrade Silveira
    195-206
    DOI: https://doi.org/10.5433/boitata.2017v12.e30688

  • Peripheral poetry of female authority as break and resistance

    Pilar Lago-Lousa, Flávio Pereira Camargo
    207-223
    DOI: https://doi.org/10.5433/boitata.2017v12.e30689

Resenha

  • This matinta perera uses to becho

    Fernando Alves da Silva Júnior
    224-229
    DOI: https://doi.org/10.5433/boitata.2017v12.e30690

Entrevista

  • Xidzundzu the western incidence on traditional teaching practices in Mozambique

    Kenneth Ernesto Langa, Ridalvo Felix de Araujo
    230-245
    DOI: https://doi.org/10.5433/boitata.2017v12.e30691