Blog and interactive e-book in favor of oral cultures: a project in development
DOI:
https://doi.org/10.5433/boitata.2012v7.e31529Keywords:
Oral Cultures, Intangible Heritage, Oral Literature, Folk DancesAbstract
This is a brief presentation of a research work currently under development at Laboratório de Estudos da Oralidade - UFPB (Oral Studies Lab of Paraíba Federal University, in Brazil), which is in part financially sponsored by CNPq, aiming the creation of both a blog and an interactive e-book, containing information on collections and document series of Acervo Etnográfico do Patrimônio Imaterial Brasileiro (Etnographic Archive of Brazilian Intangible Heritage). Such archive, gathered along forty years of field research by Marcos Ayala and Maria Ignez N. Ayala, is born from the experience of both scholars in direct observation and registration of different manifestations of ways of expression in Sao Paulo and Northeast region of Brazil as well as from collective projects, with interdisciplinary teamwork. The documental profusion resulting from four decades of work has been organized by them in order to divulge the archive and its public accessibility, as long as sound registry, audiovisual, photographic and writing material (such as notes and drawings in research notebooks) are being digitalized and different pieces of information are obtained in diverse kinds of supportDownloads
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References
AYALA, Maria Ignez Novais. No arranco do grito (aspectos da cantoria nordestina). São Paulo: Ática, 1988.
AYALA, Maria Ignez Novais; AYALA, Marcos (org). Cocos: alegria e devoção. Natal: EDUFRN, 2000.
BARBOSA, Andréa; CUNHA, Edgar Teodoro; HIKIJY, Rose Satiko Gitirana (org). Imagem- conhecimento; antropologia, cinema e outros diálogos. Campinas: Papirus, 2009.
FINNEGAN, Ruth. Oral poetry; its nature, significance and social context. London: Cambridge University Press, 1977.
dHOCKINGS, PAUL (ed). Principles of visual anthropology. 2. ed. Berlim: Mouton de Gruyter, 1995.
LORD, Albert Bates. Epic singers and oral tradition. Ithaca: Cornell University Press, 1991.
LORD, Albert Bates. The singer resumes the tale. Ed. Mary Louise Lord. Ithaca: Cornell University Press, 1995.
LORD, Albert Bates. The singer of tales. 2. ed. Ithaca: Harvard University Press, 2000 (com CD de áudio e vídeo).
ONG, Walter. Oralidade e cultura. Campinas: Papirus, 1998.
QUEIROZ, Maria Isaura Pereira de. Variações sobre a técnica de gravador no registro da informação viva. São Paulo: T. A. Queiroz, 1991.
SAMAIN, Etienne (org.). O fotográfico. São Paulo: HUCITEC; CNPq, 1998.
UNIVERSIDADE DE HARVARD. The Milman Parry Collection of Oral Literature. Disponível em: <http://www. chs. harvard. edu/mpc/>. Acesso em: 28 ago. 2012.
AYALA, Maria Ignez Novais; AYALA, Marcos (org). Cocos: alegria e devoção. Natal: EDUFRN, 2000.
BARBOSA, Andréa; CUNHA, Edgar Teodoro; HIKIJY, Rose Satiko Gitirana (org). Imagem- conhecimento; antropologia, cinema e outros diálogos. Campinas: Papirus, 2009.
FINNEGAN, Ruth. Oral poetry; its nature, significance and social context. London: Cambridge University Press, 1977.
dHOCKINGS, PAUL (ed). Principles of visual anthropology. 2. ed. Berlim: Mouton de Gruyter, 1995.
LORD, Albert Bates. Epic singers and oral tradition. Ithaca: Cornell University Press, 1991.
LORD, Albert Bates. The singer resumes the tale. Ed. Mary Louise Lord. Ithaca: Cornell University Press, 1995.
LORD, Albert Bates. The singer of tales. 2. ed. Ithaca: Harvard University Press, 2000 (com CD de áudio e vídeo).
ONG, Walter. Oralidade e cultura. Campinas: Papirus, 1998.
QUEIROZ, Maria Isaura Pereira de. Variações sobre a técnica de gravador no registro da informação viva. São Paulo: T. A. Queiroz, 1991.
SAMAIN, Etienne (org.). O fotográfico. São Paulo: HUCITEC; CNPq, 1998.
UNIVERSIDADE DE HARVARD. The Milman Parry Collection of Oral Literature. Disponível em: <http://www. chs. harvard. edu/mpc/>. Acesso em: 28 ago. 2012.
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Published
2012-10-29
How to Cite
Ayala, M. I. N., & Ayala, M. (2012). Blog and interactive e-book in favor of oral cultures: a project in development. Boitatá, 7(14), 35–48. https://doi.org/10.5433/boitata.2012v7.e31529
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