A canção e a poesia no nacionalismo cultural irlandês
DOI:
https://doi.org/10.5433/boitata.2013v8.e31567Palabras clave:
Irlanda, Nacionalismo, Canção, PoesiaResumen
Numa perspectiva suplementar em relação às teses que creditam a constituição imaginária da nação a práticas escriturais como o jornal impresso e o romance, ressaltamos o papel desempenhado nesse exercício imaginativo pela literatura de expressão oral, especificamente a canção e a poesia. Para tanto, focalizamos o nacionalismo cultural empreendido na Irlanda, cuja população, majoritariamente iletrada, dependeu de poéticas orais para se imaginar como nação. Assim, avaliamos, mediante exame de canções e poemas produzidos pelo nacionalismo irlandês no século XIX e início do XX, o contributo da canção e da poesia para a criação e difusão de um sentimento de nacionalidade entre os irlandeses. Ao investigarmos a metaforização da Irlanda como uma mãe que, em relação aos filhos varões, mostra-se ora protetora, ora dependente, ora desleal, atentamos tanto para a instrumentalidade ideológica da literatura no sentido de instigar os irlandeses à luta pela descolonização quanto para seu efeito subjetivo como canalização de ansiedades decorrentes da experiência colonial.Citas
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KEATING, Geoffrey (1644). My Pity How Ireland Standeth. In: PEARSE, Pádraic (Col.). Collected Works of Pádraic Pearse: Songs of the Irish Rebels and Specimens from an Irish Anthology. Some Aspects of Irish Literature. Three Lectures on Gaelic Topics. Dublin, Cork, Belfast: The Phoenix Publishing Co., 1918, p. 43-49.
KLEIN, Melanie. Contributions to Psycho-Analysis: 1921-1945. London: Hogarth, 1948.
LACAN, Jacques. Le Séminaire. Livre III: Les psychoses (1955-1956). Paris: Éditions du Seuil, 1981.
MACCANA, Proinsias. Women in Irish Mythology. The Crane Bag, v. 4, n. 1, p. 520-524, 1980.
MACDONNELL, John. Old Erin in the Sea. In: COLLINS, Charles MacCarthy (Org.). Celtic Irish Songs and Song-Writers. London: James Cornish & Sons; Dublin: Combridge & Co., 1885, p.150-154.
MAGEE, Jonh. Dublin Evening Post, 1 de julho de 1779.
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PEARSE, Pádraic. Collected Works of Pádraic H. Pearse: Political writings and speeches. Dublin, Cork, Belfast: The Phoenix Publishing Co., LTD, 1916.
BRANIM, John; BRANIM, Michael. The Chaunt of the Cholera: Songs for Ireland. London: James Cochrane, 1831.
CASEMENT, Roger. The Crime Against Ireland and how the War may Right it. New York: [s.n.], 1914.
CASSIDY, James F. The Women of the Gael. Boston: The Stratford Company Publishers, 1922.
COLUM, Padraic et al. The Irish Rebellion of 1916 and Its Martyrs: Erin’s Tragic Easter. Ed. Maurice Joy. New York: The Devin-Adair Company, 1916.
CROSS, Tom P.; SLOVER, Clark H. The Adventures of the Sons of Eochaid Mugmedon. In: CROSS, Tom P. (Eds.). Ancient Irish Tales. New York: Henry Holt & Co., 1936, p. 508-513.
CUILINN, Sliabh. Dear Land. In: SPARLING, Henry H. (Ed.). Irish Minstrelsy: Being a Selection of Irish Songs, Lyrics, and Ballads. London: Walter Scott, 1888, p. 122-123.
CULLINGFORD, Elizabeth B. Thinking of Her…as…Ireland: Yeats, Pearse and Heaney. Textual Practice, v. 4, n. 1, p. 1-20, 1990.
DELEUZE, Gilles; GUATTARI, Félix. L’Anti-Œdipe: capitalisme et schizophrénie. Paris: Minuit, 1972, v. 1.
DE VERE, Aubrey. The Year of the Sorrow; Ireland 1849. In: DE VERE, Aubrey. Selections from the Poems of Aubrey de Vere. Ed. George Edward Woodbery. London: Macmillan, 1894, p. 219-227.
DRENNAN, William. Fugitive Pieces, in Verse and Prose. Belfast: Finlay, 1815.
GAUTHIER, Jules. Le bovarysme: la psychologie dans l’oeuvre de Flaubert. Paris: L. Cerf, 1892.
HULL, Eleanor. Legends and Traditions of the Cailleach Bheara or Old Woman (Hag) of Beare. Folklore, v. 38, n. 3, p. 225-254, 1927.
INGRAM, John Kells. The Memory of the Dead. In: THE WRITERS OF THE NATION NEWSPAPER (Eds.). The Spirit of the Nation. Dublin: James Duffy, 1843, p. 48-50.
JONES, Ernest. The Island of Ireland: A Psycho-Analytical Contribution to Political Psychology. In: JONES, Ernest. Essays in Applied Psychoanalysis. London, Vienna: The International Psycho-Analytical Press, 1923, p. 398-411.
KEARNEY, Richard. Myth and Motherland. In: DEANE, Seamus et al. (Eds.). Ireland’s Field Day. Derry: Field Day Theatre Company, 1985, p. 61-80.
KEATING, Geoffrey (1644). My Pity How Ireland Standeth. In: PEARSE, Pádraic (Col.). Collected Works of Pádraic Pearse: Songs of the Irish Rebels and Specimens from an Irish Anthology. Some Aspects of Irish Literature. Three Lectures on Gaelic Topics. Dublin, Cork, Belfast: The Phoenix Publishing Co., 1918, p. 43-49.
KLEIN, Melanie. Contributions to Psycho-Analysis: 1921-1945. London: Hogarth, 1948.
LACAN, Jacques. Le Séminaire. Livre III: Les psychoses (1955-1956). Paris: Éditions du Seuil, 1981.
MACCANA, Proinsias. Women in Irish Mythology. The Crane Bag, v. 4, n. 1, p. 520-524, 1980.
MACDONNELL, John. Old Erin in the Sea. In: COLLINS, Charles MacCarthy (Org.). Celtic Irish Songs and Song-Writers. London: James Cornish & Sons; Dublin: Combridge & Co., 1885, p.150-154.
MAGEE, Jonh. Dublin Evening Post, 1 de julho de 1779.
MILLEN, William A. Songs of the Irish Revolution and Songs of the Newer Ireland. Boston: The Stratford Co., 1920.
MOORE, Thomas. The Poetical Works of Thomas Moore. Ed. J. M. Lake. Paris: A. and W. Galignani, 1829.
NANDY, Ashis. The Intimate Enemy: Loss and Recovery of Self under Colonialism. Delhi: Oxford University Press, 1983.
PEARSE, Pádraic. Collected Works of Pádraic H. Pearse: Political writings and speeches. Dublin, Cork, Belfast: The Phoenix Publishing Co., LTD, 1916.
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2013-10-30
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LaGuardia, A., & Sousa, R. (2013). A canção e a poesia no nacionalismo cultural irlandês. Boitatá, 8(16), 67–83. https://doi.org/10.5433/boitata.2013v8.e31567
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Derechos de autor 2013 Adelaine LaGuardia, Raimundo Sousa
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