Vol. 2 No. 4 (2007)

Published: 2017-09-27

Editorial

  • Presentation

    Frederico Fernandes
    i-iii
    DOI: https://doi.org/10.5433/boitata.2007v2.e30883

Dossiê

  • Hypermedia poetics, an expanded writing

    Wilton Azevedo
    1-17
    DOI: https://doi.org/10.5433/boitata.2007v2.e30884

  • Efigênia Rolim: the trapeira narrator

    Nathany Andrea Wagenheimer Belmaia, Marta Dantas
    18-34
    DOI: https://doi.org/10.5433/boitata.2007v2.e30885

  • Freestyle in perspective: analysis of the oral practices of Londrina rappers

    Sara Guerreiro Parada, Frederico Fernandes
    35-50
    DOI: https://doi.org/10.5433/boitata.2007v2.e30886

  • Morals and oral narratives: ethos in update

    Marcelo Rodrigues Jardim
    51-65
    DOI: https://doi.org/10.5433/boitata.2007v2.e30887

  • The narrator of A Bagaceira and social denunciation

    Elaine Aparecida Lima
    66-80
    DOI: https://doi.org/10.5433/boitata.2007v2.e30888

  • From poetry and their interpreters in "Bronze Face"

    Alessandra Bittencourt Flach
    80-107
    DOI: https://doi.org/10.5433/boitata.2007v2.e30889

  • Capoeira songs: a source of knowledge and teaching of Afro-Brazilian history and culture

    Sálvio Fernandes de Melo
    108-122
    DOI: https://doi.org/10.5433/boitata.2007v2.e30890

  • I am angoleiro, a mandigueiro style of masculinity - capoeira, gender and corporeality

    Celso de Brito
    123-148
    DOI: https://doi.org/10.5433/boitata.2007v2.e30891

  • Cordel literature: interdisciplinarity in the classroom

    Bruna B. S. Santana, Raimunda B. Batista
    149-146
    DOI: https://doi.org/10.5433/boitata.2007v2.e30892

  • On the concrete poetry and analysis of the clip-poem "Sem Saída" by Augusto de Campos

    Andréia Nogueira Hernandes
    147-154
    DOI: https://doi.org/10.5433/boitata.2007v2.e30893