On the concrete poetry and analysis of the clip-poem "Sem Saída" by Augusto de Campos

Abstract

This paper, based on theories and papers about concrete poetry, tries to analyze how this poetry happens, its characteristics, its fundaments, its peculiarities, and specially analyses how different this poetry is from the impress poetry. As an illustration of the theory about this tendency, an analysis of the clip-poem “Sem Saída”, from Augusto de Campos, animated and online transmitted by the internet was made. In this analysis, are detached aspects that characterize it as a concrete poem, a semantic analysis is made and also observations are raised, distinguishing it from the conventional impress poetry. This way, it was also possible to understand how poetry and modernity adjust, producing a new poetic conceit, which cooperates for the concrete art ideas.