Vol. 32 (2016): Literatura enquanto fotografia

View Vol. 32 (2016): Literatura enquanto fotografia

Alamir Aquino Corrêa (UEL), org.

Esse volume da revista busca problematizar o punctum barthesiano como a maneira escolhida para singularizar, pela palavra, a reprodução do que se viu, do que foi e do que se percebeu. Quer-se assim provocar os estudiosos a pensar o texto literário como o espinho que faz o leitor perceber mais do que está, mais do que se disse, mais do que se quis, mais do que foi.

Published: 2016-12-29

Full Issue

Expediente e Apresentação

  • Expediente

    2
    DOI: https://doi.org/10.5433/1678-2054.2016v32p2

  • Apresentação

    5-7
    DOI: https://doi.org/10.5433/1678-2054.2016v32p5-7

Artigos

  • Materiality and modernity in the Book of Disquiet

    Diego Giménez
    8-20
    DOI: https://doi.org/10.5433/1678-2054.2016v32p8

  • Images from Quaderni di Serafino Gubbio operatore: deceit or representation?

    Andrea Quilian de Vargas, Rosani Úrsula Ketzer Umbach
    21-31
    DOI: https://doi.org/10.5433/1678-2054.2016v32p21

  • Photographic effects on two poems by Drummond

    Thayane Morais Silva, Luiz Henrique Carvalho Penido
    32-42
    DOI: https://doi.org/10.5433/1678-2054.2016v32p32

  • The relationship intrinsic between text and image in “Mineirinho”, by Clarice Lispector

    Adriana Yokoyama, Enéias Farias Tavares
    43-55
    DOI: https://doi.org/10.5433/1678-2054.2016v32p43

  • Framed memories

    Julliany Alves Mucury, Sylvia Helena Cyntrão
    56-66
    DOI: https://doi.org/10.5433/1678-2054.2016v32p56

  • Metropolis at work: literature and photography building up the image of modern city through tropical belle époque´s periodism.

    Marcus Rogério Tavares Sampaio Salgado
    67-81
    DOI: https://doi.org/10.5433/1678-2054.2016v32p67

  • Purgatório, by Tomás Eloy Martínez: suspension of time and construction of realities

    Anuschka Reichmann Lemos, Brunilda Reichmann
    82-94
    DOI: https://doi.org/10.5433/1678-2054.2016v32p82

  • Portrait of a disquieting dress: almost object?

    Marisa Martins Gama-Khalil
    95-105
    DOI: https://doi.org/10.5433/1678-2054.2016v32p95

  • The worm and the yard: poetry and photography in Carlos Drummond de Andrade and Adélia Prado

    Aulus Mandagará Martins
    106-114
    DOI: https://doi.org/10.5433/1678-2054.2016v32p106

Vária

  • Literary criticism: a few premature considerations

    Paulo Franchetti
    115-123
    DOI: https://doi.org/10.5433/1678-2054.2016v32p115