How the amazon myth has been transformed in the Allegory of America Adriano Rodrigues de Oliveira 7-29 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p7
The ogre and the demon: the photographic representaton of the nuclear devastation in "Hiroshima", by Ken Domon (1945-1958) Richard Gonçalves André 30-65 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p30
Beyond discursive boundaries: a desconstructive analysis of Iracema, uma Transa Amazônica (1974) Maria Elisa de Carvalho Sonda 66-85 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p66
Brazilian photojournalists in times of dictatorship: between stability and compromise Carlos Alberto Sampaio Barbosa 86-103 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p86
Watchmen's comedian: a premeditated parody for the resumption of us nationalism Mariana Furio 104-121 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p104
Bush doctrine and violence in in the shadow of no towers of art spiegelman Danilo Pontes Rodrigues 122-156 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p122
Footnotes in gaza: representations on hamas during the elections in palestine through joe sacco's comics (2002- 2010) José Rodolfo Vieira 157-186 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p157
Entre política e quadrinhos. O posicionamento editorial da Marvel Comics na série Civil War Jorge Edson 187-190 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2019v13n24p187
