Vol. 13 No. 24 (2019)

View Vol. 13 No. 24 (2019)

Published: 2019-12-26

Expediente

Corpo editorial

1-1
- PDF (Português (Brasil))

Apresentação

Apresentação

José Rodolfo Vieira

2-6
- PDF (Português (Brasil))

Artigos do dossiê

How the amazon myth has been transformed in the Allegory of America

Adriano Rodrigues de Oliveira

7-29
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p7
The ogre and the demon: the photographic representaton of the nuclear devastation in “Hiroshima”, by Ken Domon (1945-1958)

Richard Gonçalves André

30-65
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p30
Beyond discursive boundaries: a desconstructive analysis of Iracema, uma Transa Amazônica (1974)

Maria Elisa de Carvalho Sonda

66-85
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p66
Brazilian photojournalists in times of dictatorship: between stability and compromise

Carlos Alberto Sampaio Barbosa

86-103
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p86
Watchmen's comedian: a premeditated parody for the resumption of us nationalism

Mariana Furio

104-121
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DOI: https://doi.org/10.5433/2237-9126.2019v13n24p104
Bush doctrine and violence in in the shadow of no towers of art spiegelman

Danilo Pontes Rodrigues

122-156
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DOI: https://doi.org/10.5433/2237-9126.2019v13n24p122
Footnotes in gaza: representations on hamas during the elections in palestine through joe sacco's comics (2002- 2010)

José Rodolfo Vieira

157-186
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p157

Resenhas

Entre política e quadrinhos. O posicionamento editorial da Marvel Comics na série Civil War

Jorge Edson

187-190
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2019v13n24p187