As vozes da tradição e da modernidade em Bom dia para os defuntos

a heterogeneidade literária e linguística no romance de Manuel Scorza

Abstract

With this study, in general, we intend to analyze the literary and linguistic heterogeneity, from the encounter between the modern Peruvian world and the world of oral tradition of the culture of the Quechua peasants, in the production and form of Redoble por Rancas, by Manuel Scorza. Specifically, we will first investigate the literary heterogeneity of Scorza's novel from the concept of "heterogeneous literature" by Cornejo Polar (2000); then, we will analyze the linguistic heterogeneity of Redoble por Rancas from the concept of "cultural diglossia" by Martin Lienhard (2003). Thus, seeking the friction of these concepts with the work studied, we will argue that the Scorzian cultural diglossia deepens the literary heterogeneity of Redoble por Rancas.