Voice and gesture in rhetorical delivery

Authors

DOI:

https://doi.org/10.5433/boitata.2020v15.e40787

Keywords:

Rhetoric, Medieval rhetoric, Rhetorical “action”, Rhetorical delivery, Voice and gesture

Abstract

When emerged the figure of the actor in the Greek theater, and the actio/pronuntiatio (delivery) was separated from the theatrical composition, the rhetoricians found that its rule would bring great value to the representation of the discourse. Thus was born the idea of theorizing about the actio and learn voice modulation and adequacy of gestures with actors. Isocrates, Aristoteles, the anonymous author of Rhetorica Ad Herennium, Cicero and Quintilian discussed it in their treaties. Medieval authors proceed with great freedom about the delivery: some overlook the importance of representation in their small books; others are based on the Ad Herennium (the most influential treatise in the Middle Ages) and the teaching of the Fathers, as Augustine, Jerome and Gregory; others, however, discuss the theory of voice, gestures and face with great innovation, which completes and gives fullness to the ancient rhetorical theory. In our study, we have privileged these authors.

Author Biography

Manuel Francisco Ramos, Faculdade de Letras da Universidade do Porto

Doctor UC, Professor FLUP

References

ALBERTANO DA BRESCIA. Liber de doctrina dicendi et tacendi. La parola del cittadino nell’ Italia del duecento. A cura di Paola Navone. Florença: Sismel, 1998.

ALBERTE, Antonio. Retórica Medieval: Historia de las artes predicatórias. Madrid: Centro de Linguística Aplicada Atenea, 2003.

ALEXANDRE DE ASHBY. De modo praedicandi. In Antonio Alberte (org.), Retórica Medieval: Historia de las artes predicatórias. Madrid: Centro de Linguística Aplicada Atenea, 2003, p. 237-238.

ANÓNIMO. Expeditis duobus paradigmatis. In Antonio Alberte (org.), Retórica Medieval: Historia de las artes predicatórias. Madrid: Centro de Linguística Aplicada Atenea, 2003, p. 188-90.

BONCOMPAGNUS DA SIGNA, Rhetorica novíssima. In SCRINEUM, Aggi e materiali on line di scienze del documento e del libro medievali (Janeiro, 2011). Disponível em: http://scrineum.unipv.it/wight/rn4.htm. Acesso em 15/3/2018.

FREDERICO DE NURX. Artis praedicandi tractatus. In Antonio Alberte (org.), Retórica Medieval: Historia de las artes predicatorias. Madrid: Centro de Linguística Aplicada Atenea, 2003, p. 185-88.

GEOFFROY DE VINSAUF. Documentum de modo et arte dictandi et versificandi. In E. Faral, Les arts poétiques du XII.e et du XIII.e siècle. Paris: Champion, 1971, p. 263-320.

GEOFFROY DE VINSAUF. Poetria Nova. In E. Faral (org.), Les arts poétiques du XII.e et du XIII.e siècle. Paris: Champion, 1971, p. 194-262.

JACQUES DE DINANT. Ars arengandi. In Analecta Reginensia. Città del Vaticano: Biblioteca Apostolica Vaticana, 1933.

JOÃO DE MAGUNCIA. Tractatulus de modo praedicandi. In Antonio Alberte (org.), Retórica Medieval: Historia de las artes predicatorias. Madrid: Centro de Linguística Aplicada Atenea, 2003, p. 191-92.

PLUTARCO. Vidas paralelas. Demóstenes e Cícero. Trad. de M. Várzeas. Coimbra: Centro de Estudos Clássicos e Humanísticos, 2010.

TOMÁS WALEYS. De modo componendi sermones. In Antonio Alberte (org), Retórica Medieval: Historia de las artes predicatórias. Madrid: Centro de Linguística Aplicada Atenea, 2003, p. 128.

Published

2020-06-05

How to Cite

Ramos, M. F. (2020). Voice and gesture in rhetorical delivery. Boitatá, 15(29), 172–186. https://doi.org/10.5433/boitata.2020v15.e40787