Abstract and concrete in literature and painting: Clarice Lispector and Gastão Manuel Henrique
DOI:
https://doi.org/10.5433/1678-2054.2012v24p39Keywords:
Clarice Lispector, Gastão Manuel Henrique, Abstract art, Concrete artAbstract
This article reflects about the text “Gastão Manuel Henrique”, by Clarice Lispector, published on the first edition of the book A legião estrangeira (1964). The text is about Gastão Manuel Henrique’s painting on wood. He was an artist from the 1960s generation in Brazil when it was discussed the presence of an abstract and concrete modern art between us. The goal is to establish a relationship between the discussions in vogue at that time and the way the writer sees his artwork.References
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FAVARETTO, Celso. 1997. “Das novas figurações à arte conceitual”. Ricardo Ribenboim, org. Tridimensionalidade. São Paulo: Instituto Cultural Itaú. 109-115.
GALRÃO, Angel. Gastão Manuel Henrique. Campinas: TV Universitária/Unicamp. VHS. (25 min.).
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OITICICA, Hélio. 2006. “A transição da cor do quadro para o espaço e o sentido de construtividade”. Glória Ferreira & Cecília Cotrim. Escritos de artistas: Anos 60/70. Rio de Janeiro: Jorge Zahar. 82-95.
PEDROSA, Mário. 2004. Acadêmicos e modernos: textos escolhidos III. Otília Arantes, org. São Paulo: Edusp.
Pesquisa em Pauta - Estudo da Obra de Gastão Manuel Henrique. rtv-unicamp. Disponível em: http://cameraweb.ccuec.unicamp.br/video/26MSWHXHS5R9/ Acesso em 15 de ago. de 2012.
PONTUAL, Roberto. 1973. Arte/Brasil/Hoje: 50 anos depois. São Paulo: Collectio.
PONTUAL, Roberto. 1969. Dicionário das artes plásticas no Brasil. Rio de Janeiro: Civilização Brasileira.
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