Vol. 13 No. 23 (2017)

View Vol. 13 No. 23 (2017)

Published: 2017-12-05

Editorial

Mudanças a caminho

Rodolfo Rorato Londero

9-12
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p9

Seção Especial

The function of discourse in digital social networks

Izidoro Blikstein

13-36
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p13

Artigos

On Susan Sontag: photography as engaged thinking

Susana Dobal

37-59
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p37
Indications of the photojournalistic production methods in the photo blogs of Brazilian greatest circulation diaries

Julia Capovilla Luz Ramos, Jorge Pedro Sousa

60-87
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p60
Mirror hunting: the potential of the meanings that emerges from Vivian Maier’s self-portraits

Márcia Rodrigues da Costa, Maria Ogécia Drigo

88-111
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p88
The photography in Rio 2016 Olympic Games: social media, memes and engagement

Marcos Américo, Laís Akemi Margadona

112-138
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p112
The J. Sguario Wood Company’s photo album: an analysis of images and its relations between technology, work and nature

Alessandro Casagrande, da Silva Correa Maclovia, Casagrande Jr. Fassi Eloy

139-160
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p139
Francesca Woodman: photography beyond the limits of representation

Bruno Pereira, Fernando Silva Teixeira Filho

161-189
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p161
Golden Noir in literary adaptation: from Rubem Fonseca to the ‘Agosto’ mini-series cliché

Marcelo Magalhães Bulhões

190-212
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p190
The impact of Funny Games between the cinematographic audience: an analysis based on the imagetic treatment, the spectator-character and the counter-cinema

Thiago Henrique Ramari, Silvio Ricardo Demétrio

213-241
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p213
Perverse leaks: perverse and stereotyped representations in “Juntas Contra Vazamentos” campaign

Muriel Emídio Pessoa Amaral, Claudio Bertolli Filho

242-260
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p242
The look between different lenses: the photovoice as a participative scientific method

Daniel Meirinho Souza

261-290
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DOI: https://doi.org/10.5433/1984-7939.2017v13n23p261

Expediente

Discursos Fotográficos, Londrina, v. 13, n. 23, jul./dez. 2017.

1-8
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