Porto Alegre, Salvador, Recife: destinations and errances of a search arts researcher

Authors

  • Ana Paula Zanandréa Universidade Federal do Rio Grande do Sul.

DOI:

https://doi.org/10.5433/boitata.2018v13.e35135

Keywords:

Theatre, Destinerrance, Actor’s direction, Performing arts research, Nomadism.

Abstract

I am not stick to a place. Therefore, I write this essay for Boitatá Journal while traveling between April and May 2018. It is a journey for different cities without a precise final destination, although my tickets stipulate a specific place of arrival. I count on Jacques Derrida and his philosophical thoughts regarding destinerrance and adestination as accomplices of adventure. With them I make this trip crossing the country geographically and my life temporarily, tacking past and present in comings and goings through trails that constitute me as a woman, nomad, artist, researcher… In this tangle of stories and experiences that I now share with you, reader, in form of a travel journal, some unpretentious reflections emerge about the transits amongst research, travel and artistic practice, especially concerning theatrical direction. Likewise, destinerring between theory and practice, I approach the atopy which indelibly marks my doing in academia.

Downloads

Download data is not yet available.

Author Biography

Ana Paula Zanandréa, Universidade Federal do Rio Grande do Sul.

Director and theatrical producer. PhD student in Performing Arts at the Universidade Federal do Rio Grande do Sul.

References

DERRIDA, Jacques. Enlouquecer o subjétil. São Paulo: Editora da UNESP, 1998.

DERRIDA, Jacques. The postcards: from Socrates to Freud and Beyond. Chicago: The University of Chicago Press, 1987.

DERRIDA, Jacques. Psyché: inventions de l’autre. Paris : Galilée, 1998.

GALEANO, Eduardo. O livro dos abraços. Porto Alegre: L&PM pocket, 2005, p. 269.

GALEANO, Eduardo. Las palabras andantes. Madrid, Siglo XXI, 2006.

LANCRI, Jean. Modestas proposições sobre as condições de uma pesquisa em artes plásticas na universidade. In: BRITES, Blanca & TESSLER, Elida (Org.) O Meio Como Ponto Zero: metodologia da pesquisa em artes plásticas. Porto Alegre: Editora da UFRGS, 2002.

PAVIS, Patrice. A encenação contemporânea: origens, tendências, perspectivas. São Paulo: Perspectiva, 2013.

SILVA, Antônio Carlos de Araújo. A encenação no coletivo: desterritorializações da função do diretor no processo colaborativo. Tese de Doutorado. Escola de Comunicação e Artes-USP, São Paulo 2008.

How to Cite

Zanandréa, A. P. (2018). Porto Alegre, Salvador, Recife: destinations and errances of a search arts researcher. Boitatá, 13(25), 12–27. https://doi.org/10.5433/boitata.2018v13.e35135

Issue

Section

Dossiê

Similar Articles

You may also start an advanced similarity search for this article.