Fictionalization of you and other performatic traces in poems & insults, from Bukowski
DOI:
https://doi.org/10.5433/boitata.2017v12.e32961Keywords:
Voice, Performance, Fictionalization, Bukowski, Oral circulation of written poems.Abstract
This article deals with the composition and circulation context of Charles Bukowski's Poems & Insults’ performance, and also intents a brief analysis of the poetry reading recorded in 1973 (it’s imperative to distinguish between the analysis of the actual performance and of the recorded media), emphasizing the imbrication of cultural forms in the American society, whose national identity privileged popular culture. The concept of performance is presented according to the definitions proposed by Bert States, Peggy Phelan, Paul Zumthor, Mikel Dufrenne, Richard Schechner, Irving Goffman, Ruth Finnegan, and Richard Bauman, and the poetry reading is analyzed according to the displayed performative features and the fictionalization of self by the author, who performatizes his literary persona on stage, instead of “himself”. Thus, written poems are turned into brief narratives during performatization, changing the original sensations and meanings of the written text by the medium of the voice, received by the "speech community" that gathered around the historic City Lights bookstore.Downloads
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References
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BAUMAN, Richard. Verbal art as performance. 2. ed. Illinois: Waveland Press, 1984.
BUKOWSKI, Charles. Notes of a dirty old man (column). Published November 17th 1972, page 2. Los Angeles: Los Angeles Free Press (Newspaper), 1972.
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BUKOWSKI, Charles. The last night of the earth poems. Los Angeles, CA: Black Sparrow Press, 1992.
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FINNEGAN, Ruth. O que vem primeiro: o texto, a música ou a performance? In: TRAVASSOS, Elizabeth; MATOS, Cláudia Neiva;
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GINSBERG, Allen. Howl and other poems. San Francisco, CA: City Lights Publishers; Reissue edition, 2001.
LUBBOCK, Percy. The craft of fiction. London: Jonathan Cape Publishing Firm, reprint, 1960.
MARX, Karl. Manuscritos econômico-filosóficos. São Paulo, SP: Boitempo Editorial, 2004.
PANDEY, Ashish. Academic dictionary of fiction. Isha Books, 2005.
PANISH, John Seebart. The color of jazz: race and representation in postwar american culture. Jackson, MS: University Press of Mississippi, 1997.
RASKIN, Jonah. American scream: Allen Ginsberg's Howl and the making of the beat generation. Berkeley/Los Angeles: University of California Press, 2006.
STATES, Bert. Performance as a metaphor. Afterall Online Journal. n. 3, 2001. Disponível em: < https://goo.gl/94cr1z>. Acesso em: 03 set. 2017.
ZUMTHOR, Paul. Introdução à poesia oral. Tradução de Jerusa Pires Ferreira, Maria Inês de Almeida, Maria Lúcia Diniz Pochat. São Paulo, SP: Editora Hucitec, 1997.
BAUMAN, Richard. Verbal art as performance. 2. ed. Illinois: Waveland Press, 1984.
BUKOWSKI, Charles. Notes of a dirty old man (column). Published November 17th 1972, page 2. Los Angeles: Los Angeles Free Press (Newspaper), 1972.
BUKOWSKI, Charles. Style. Poems and insults. San Francisco, CA: Bitter Lemon Records, 1975. Disponível em: <https://goo.gl/MqZ3eo>. Acesso em: 22 ago. 2017.
BUKOWSKI, Charles. The last night of the earth poems. Los Angeles, CA: Black Sparrow Press, 1992.
CULLER, Jonathan. Literary theory: a very short introduction. New York: Oxford University Press, 1997.
FINNEGAN, Ruth. O que vem primeiro: o texto, a música ou a performance? In: TRAVASSOS, Elizabeth; MATOS, Cláudia Neiva;
MEDEIROS, Fernanda Texeira de. Palavra Cantada: ensaios sobre poesia, música e voz. Rio de Janeiro: 7 Letras, 2008.
FRANKLIN, Nathan Andrew. "If you don't gamble, you'll never win": The Importance of Risk in Charles Bukowski's Ham on Rye, Factotum, Post Office, Women, and Hollywood. Diss. Middle Tennessee State University, 2013.
GINSBERG, Allen. Howl and other poems. San Francisco, CA: City Lights Publishers; Reissue edition, 2001.
LUBBOCK, Percy. The craft of fiction. London: Jonathan Cape Publishing Firm, reprint, 1960.
MARX, Karl. Manuscritos econômico-filosóficos. São Paulo, SP: Boitempo Editorial, 2004.
PANDEY, Ashish. Academic dictionary of fiction. Isha Books, 2005.
PANISH, John Seebart. The color of jazz: race and representation in postwar american culture. Jackson, MS: University Press of Mississippi, 1997.
RASKIN, Jonah. American scream: Allen Ginsberg's Howl and the making of the beat generation. Berkeley/Los Angeles: University of California Press, 2006.
STATES, Bert. Performance as a metaphor. Afterall Online Journal. n. 3, 2001. Disponível em: < https://goo.gl/94cr1z>. Acesso em: 03 set. 2017.
ZUMTHOR, Paul. Introdução à poesia oral. Tradução de Jerusa Pires Ferreira, Maria Inês de Almeida, Maria Lúcia Diniz Pochat. São Paulo, SP: Editora Hucitec, 1997.
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Published
2017-12-27
How to Cite
Velasco, S. (2017). Fictionalization of you and other performatic traces in poems & insults, from Bukowski. Boitatá, 12(24), 264–276. https://doi.org/10.5433/boitata.2017v12.e32961
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