Without a trace: Walter Benjamin, architecture, history and literature
DOI:
https://doi.org/10.5433/1678-2054.2012v24p140Keywords:
Walter Benjamin. Architecture. History. LiteratureAbstract
The article aims at recreating a critical itinerary concerning what one could call Estética do vestígio in the work of Walter Benjamin. By interweaving architecture (Le Corbusier, Scheerbart, Loos), history (Adorno, Giedion), and literature (Kafka, Brecht), it seeks to demonstrate the ideological transition from trace to transparence – seeks to entwine past and present, withdrawal and distraction, and thus discuss both the literary thing and the construction of identities in the contemporary world.Downloads
References
BENJAMIN, Walter. 1996. Obras Escolhidas I. São Paulo: Brasiliense.
BENJAMIN, Walter. 2004. Obras Escolhidas III. São Paulo: Brasiliense.
BENJAMIN, Walter. 2006. Passagens. Belo Horizonte: UFMG.
BENJAMIN, Walter. 2003. Selected Writings, 1938-1940. Cambridge: Harvard U P, 2003.
BENJAMIN, Walter. 1994. The correspondence of Walter Benjamin, 1910-1940. Chicago: The U of Chicago P.
FRAMPTON, Kenneth. 2003. História crítica da arquitetura moderna. São Paulo: Martins Fontes.
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