A obscena senhora D: an narrative of dislocation
DOI:
https://doi.org/10.5433/1678-2054.2008v12p123Keywords:
Hilda Hilst, Canon, Abandonment, DislocationAbstract
The work present investigates the constitutives processes of the novel A obscena senhora D as builders of the experimental narrative whose critical valorization tenses the literary canon. The study probes to apprehend the work of radical and violent language as an exercice which presents similarities with Freud and Heidegger’s concepts.Downloads
References
CUNHA, Helena Parente. “A mulher partida: a busca do verdadeiro rosto na miragem dos espelhos”. Peggy Sharpe, org. Entre resistir e identificar-se: para uma teoria narrativa brasileira de autoria feminina. Florianópolis: Editora Mulheres; Goiânia: Ed. da UFG. 109-137.
FREUD. Sigmund. “O futuro de uma ilusão.” Obras psicológicas completas. vol. 1. Rio de Janeiro: Imago, 1970. 13-71.
HEIDEGGER, Martin. Que é metafísica? Trad. Ernildo Stein. São Paulo: Livraria Duas Cidades, 1969.
HISLT, Hilda. A obscena senhora D. São Paulo: Globo, 2001.
MANTEGA, Guido. “Sexo e poder nas sociedades autoritárias: a face erótica da dominação”. Sexo e poder. São Paulo: Brasiliense, 1979. 9-34.
QUEIROZ, Vera. Hilda Hilst: três leituras. Florianópolis: Editora Mulheres, 2000.
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