Directed flashes, intensified images: photofilm and the persistence of time Lwidge de Oliveira 1-18 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52912
Toward the crystal: David Lynch’s Lost Highway as a path to thinking Gilles Deleuze’s cinema Gabriel Gnann Belloni Vieira 1-28 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52895
Temporality and boredom in The Turin Horse, by Béla Tarr: an ontological approach Luan Alves dos Santos Ribeiro 1-26 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52715
Eroticism, Sacrality, and Transgression in Jean- Claude Brisseau’s Cinema Brenda Valois, Pedro de Andrade Lima Faissol 1-24 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52947
Types on screen: revisiting Stanley Cavell’s ontology of cinema with Ryan Gosling Igor Nascimento 1-22 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52112
Limbo and the Evidence of Film: Jean-Luc Nancy and cinema beyond representation Andrea Cachel, Pedro Monte Kling 1-22 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52743
Becoming a Woman: an analysis of the character Bella Baxter from Poor Things through the thought of Simone de Beauvoir Carolaine Susane da Silva 1-25 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52910
André’s Passions: philosophical unfoldings of the doubles in Lavoura Arcaica Leonardo Araújo Oliveira 1-16 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52898
Reinventions of the Home: An Analysis of Cao Guimarães’ Rua de Mão Dupla Laura Cristina Souza da Silva 1-16 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52755
Kierkegaard: relations between the concept of negative irony and the film Quanto vale ou é por quilo? (Sérgio Bianchi, 2005) Douglas Gasparin Arruda 1-17 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52861
#eagoraoque: cinema, capitalism and subjectivities Helena Lukianski 1-18 Artigo Completo (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2026.v20.52808
