Vol. 3 No. 4 (2009)

View Vol. 3 No. 4 (2009)

Published: 2015-09-05

Artigos gerais

Television journalism of filmmakers in the lead years: constructions of the popular in the clash of "viola X guitar"

Cássia Louro Palha

7-18
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p7
“Faithful images of the land”: landscape and regionalism in the reception of Frans Post's works for the visual culture of Pernambuco, 1925-1937

Daniel de Souza Leão Vieira

19-32
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p19
Female representations in 19th century portraits

Gisele Ambrósio Gomes

33-40
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p33
From the Zocalo to Chapultepec: considerations on memory, politics and monumental architectural narrative in the Mexican case

Hernán Ramírez

41-56
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p41
Presenças, anúncios, silêncios: registros fotográficos de um lugar chamado Gruppelli

Margareth Acosta Vieira

57-68
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p57
The female image in Claudia magazine: the representations of family life (1961-1985)

Maria Paula Costa

69-80
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p69
Pedagogy, morals and popular culture: the Argentine school in front of the cinema in the first decades of the 20th century

Myriam Southwell, María Silvia Serra

81-92
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p81
The study of the symbolism of the gorgoneion figured in the Greek shields through the painted attic pottery. 6th and 5th centuries BC

Patrícia Boreggio do Valle Pontin

93-106
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DOI: https://doi.org/10.5433/2237-9126.2009v3n4p93
The Byzantine icon and the production of meaning in Ukrainian Orthodox immigrants

Paulo Augusto Tamanini

107-114
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p107
When Two Worlds Collide: representations of the real and fantastic monstrosities in the symbolic set of album covers and singles by the band Iron Maiden

Rodrigo Medina Zagni

115-136
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p115
Cinema and film club as processes of personal meaning

Veruska Anacirema Santos da Silva

137-148
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p137

Resenhas

Resenha: La pintura encarnada

Rafael Alves Pinto Junior

149-156
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2009v3n4p149