Vol. 8 No. 13 (2012)

View Vol. 8 No. 13 (2012)
Published: 2012-09-03

Editorial

  • Piano, piano si va lontano...

    Paulo César Boni
    9-10
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p9

Artigos

  • Photography in Tron: visual ambiguities in filmic space

    Tiago Mendes Alvarez
    13-36
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p13

  • You do it, it’s your movie!: sai de baixo between teleplay and sitcom

    Édison Trombeta de Oliveira, Tiago Souza Machado Casado
    37-53
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p37

  • Three views about photography: author, tourist and researchers

    Bruna Alves Lôbo, Maria Lúcia Bastos Alves
    55-70
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p55

  • Photojournalism: between opacity and transparency

    Sandra Maria Lúcia Pereira Gonçalves
    71-91
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p71

  • Portraits of Hiroshi Sugimoto: about realism and portraits

    Angela Prada de Almeida
    93-108
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p93

  • Japan’s earthquake by Folha.com: trivialization and consumption of photographs on internet

    Carolina Zoccolaro Costa Mancuzo, Paulo César Boni
    109-136
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p109

  • Controversies on the reasoned catalogue of Gerda Taro

    José Manuel Susperregui
    137-173
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p137

  • Bahia’s photo clubs memory

    Telma Cristina Damasceno Silva Fath
    175-195
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p175

  • Crossed views about Santarém (Pará State)

    Lila Rosa de Sousa Bemerguy
    197-224
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p197

Resenhas

  • Photography: diversity of approaches in different practices

    Tássia Ruiz
    227-232
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p227

  • Possibles concepts for a contemporary photography

    Karina Rampazzo Morelli
    233-238
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p233

  • II World War by Robert Capa’s lens

    Ana Carolina Felipe Contato
    239-245
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p239

  • Photography and slavery: the second half of the XIX century told by images

    Renata de Paula dos Santos
    247-252
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p247

  • Trust no one: there is truth behind the photography?

    Guilherme Henrique de Oliveira Cestari
    253-257
    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p253

Entrevistas

Dissertações

Expediente

  • Discursos Fotográficos, Londrina, v.8, n.13, jul./dez. 2012

    DOI: https://doi.org/10.5433/1984-7939.2012v8n13p