Vol. 2 No. 2 (2006)

View Vol. 2 No. 2 (2006)
Published: 2008-12-31

Editorial

  • Editorial

    Paulo Cesar Boni
    9-10
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p9

Artigos

  • The ethics in the photo journalism of the digital age

    Cláudia Maria Teixeira de Almeida, Paulo Cesar Boni
    11-42
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p11

  • Marvelous city: contemporary motion-picture sights

    Amanda de Carmargo Mendes, Isaac Antonio Camargo
    43-67
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p43

  • Brazil is a country of “balangandãs” (swaying ornaments) in French imaginary

    Maranúbia Barbosa
    69-92
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p69

  • The life valley of the shadow: reflections on war photography and its repercussions

    Marcello Silva Maciel, Paulo Cesar Boni
    93-110
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p93

  • Photojournalistic coverage of the attack against the school of Beslan in six Portuguese and Brazilian newsmagazines

    Jorge Pedro Sousa, Maria Érica de Oliveira Lima
    111-139
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p111

  • Eternal stretchers, eternal wretches

    José de Arimathéia Cordeiro Custódio
    141-158
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p141

  • A photographer called “archive”: the copyright complexity on photographic works

    Camila Bruna Zanetti, Paulo Cesar Boni
    159-178
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p159

  • The crossroad of photojournalism

    Simonetta Persichetti
    179-190
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p179

  • The oneiric in the photography of the film 8 ½

    Mariana Soares Ribeiro, Maria Fernanda Vilela de Magalhães, Dirce Vasconcellos Lopes
    191-217
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p191

  • The indicial role of photography on grave inscriptions

    Cristiane Poliseli Gouveia, Miguel Luiz Contani
    219-236
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p219

  • To prevent forgetfulness: from photography to the death theater of Tadeusz Kantor

    Thais Helena D’Abronzo, Maria Irene Pellegrino de Oliveira Souza
    237-253
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p237

  • Elements of Yanomami identity in the photographs of Cláudia Andujar

    Guilherme Marcondes Tosetto, Dirce Vasconcellos Lopes, Miguel Luiz Contani
    255-275
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p255

  • Bus ride: an ethnographic exercise in Cafezal Quarter

    Janine Damasceno Moura Fé, Maria Irene Pellegrino de Oliveira Souza
    277-295
    DOI: https://doi.org/10.5433/1984-7939.2006v2n2p277