The national laboratory of oral materials, concepts, antecedents, code of ethics and documentation protocol
DOI:
https://doi.org/10.5433/boitata.2020v15.e40182Keywords:
, LANMO, Orality, Documentation, Field work, ProtocolsAbstract
This paper presents some results of the systematization work that the National Laboratory of Oral Materials (Mexico) has done. A brief history of LANMO and its theoretical bases is first presented, and then two of the instruments it has generated: a code of ethics and a protocol for the documentation of oral materials in field work.
Downloads
Download data is not yet available.
References
Bascom, William R. (1995). "Verbal Art". The Journal of American Folklore, 68-269; pp. 245-252.
Bauman, Richard (1984). Verbal Art as Performance. Illinois: Waveland Press.
Bauman, Richard y Joel Sherzer (1975). "The Ethnography of Speaking". Annual Review of Anthropology 4; pp. 95-119.
Ben-Amos, Dan (1971). “Toward a Definition of Folklore in Context.” The Journal of American Folklore 84-331; pp. 3-15.
Díaz Viana, Luis (1999). Los guardianes de la tradición. Guipuzkoa: Sendoa.
Dorson, Richard (1976). Folklore and Fakelore: Essays toward a Discipline of Folk Studies. Cambridge: Harvard University Press.
Foley, John Miles (1995). The Singer of Tales in Performance. Indiana: University Press.
Foley, John Miles (2002). How to Read an Oral Poem. Illinois: University Press.
Frenk, Margit (1997). Entre la voz y el silencio. Madrid: Centro de Estudios Cervantinos.
Hymes, Dell (1962). “The ethnography of speaking”. En T. Gladwin & W. Sturtevant (Eds.), Anthropology and Human Behavior. Washington DC: Anthropological Society of Washington; pp. 13-53.
Niles, John D. (1999) Homo Narrans. The Poetics and Anthropology of Oral Literature. Pennsylvania: University Press.
Pedrosa, José Manuel (1995). Las dos sirenas y otros ensayos de literatura tradicional. Madrid: Siglo XXI.
Pedrosa, José Manuel (2004). La autoestopista fantasma y otras leyendas urbanas españolas. Madrid: Páginas de Espuma.
Pedrosa, José Manuel y Sebastián Moratalla, ed. (2002). La ciudad oral. Literatura tradicional urbana del sur de Madrid. Teoría, Métodos, Textos. Madrid: Comunidad de Madrid.
Bauman, Richard (1984). Verbal Art as Performance. Illinois: Waveland Press.
Bauman, Richard y Joel Sherzer (1975). "The Ethnography of Speaking". Annual Review of Anthropology 4; pp. 95-119.
Ben-Amos, Dan (1971). “Toward a Definition of Folklore in Context.” The Journal of American Folklore 84-331; pp. 3-15.
Díaz Viana, Luis (1999). Los guardianes de la tradición. Guipuzkoa: Sendoa.
Dorson, Richard (1976). Folklore and Fakelore: Essays toward a Discipline of Folk Studies. Cambridge: Harvard University Press.
Foley, John Miles (1995). The Singer of Tales in Performance. Indiana: University Press.
Foley, John Miles (2002). How to Read an Oral Poem. Illinois: University Press.
Frenk, Margit (1997). Entre la voz y el silencio. Madrid: Centro de Estudios Cervantinos.
Hymes, Dell (1962). “The ethnography of speaking”. En T. Gladwin & W. Sturtevant (Eds.), Anthropology and Human Behavior. Washington DC: Anthropological Society of Washington; pp. 13-53.
Niles, John D. (1999) Homo Narrans. The Poetics and Anthropology of Oral Literature. Pennsylvania: University Press.
Pedrosa, José Manuel (1995). Las dos sirenas y otros ensayos de literatura tradicional. Madrid: Siglo XXI.
Pedrosa, José Manuel (2004). La autoestopista fantasma y otras leyendas urbanas españolas. Madrid: Páginas de Espuma.
Pedrosa, José Manuel y Sebastián Moratalla, ed. (2002). La ciudad oral. Literatura tradicional urbana del sur de Madrid. Teoría, Métodos, Textos. Madrid: Comunidad de Madrid.
Downloads
Published
2020-06-05
How to Cite
Cortés Hernández, S., & Granados Vázquez, B. A. (2020). The national laboratory of oral materials, concepts, antecedents, code of ethics and documentation protocol. Boitatá, 15(29), 31–55. https://doi.org/10.5433/boitata.2020v15.e40182
Issue
Section
Dossiê
License
Copyright (c) 2020 Boitatá
This work is licensed under a Creative Commons Attribution 4.0 International License.
Boitatá esta licenciada com CC BY sob essa licença é possível: Compartilhar - copiar e redistribuir o material em qualquer suporte ou formato. Adaptar - remixar, transformar, e criar a partir do material, atribuindo o devido crédito e prover um link para a licença e indicar se mudanças foram feitas.
