Presentation - Free Section

Abstract

The diversity of approaches and objects is evident in the set of texts in this section. At the However, we can identify some convergences that point so much to the Dossier theme, the relations between orality and writing in contemporary times, as well as for the most constant themes of our Magazine, namely, popular poetics, their interfaces and recreations. The historical and formal approach to poetic production at the end of the 18th century and the beginning of XIX is the motto for the article by Gracinéa I. Oliveira, entitled POETRY AND THE SUDDENLY IN WORK BY LUCAS JOSÉ D'ALVARENGA. Also focusing on poetry, two articles present analytical endeavors around the concept of performance to examine the movement of Experimentalism in Portugal and the staging of authorship: EXPERIMENTALISMO, PERFORMANCE, RESSIGNIFICATION AND RESISTANCE: COMMENTS AND BRIEF ANALYSIS OF “ERRATA (IN THE FORM OF SONNET)”, BY FERNANDO AGUIAR, by Priscila Vasques Castro Dantas; and FICTIONALIZATION OF YOU AND OTHER TRACES PERFORMATICS IN POEMS & INSULTS, BY BUKOWSKI, by Samuel Velasco. A group of texts provides an examination of conditions and purposes (be they political, witnesses, intercultural, educational or humanizing) of the transit of textualities and cultures between orality and writing. They are: THE TRANSPOSITION OF ORALITY TO WRITING LITERARY IN CONTEMPORANEITY: SEFARAD (2001) BY ANTONIO MUÑOZ MOLINA, by Ana Paula de Souza; NOBLE WOMEN, IGNIBLE MONKEYS: NELSON RODRIGUES E XERAZADE, by Adriano de Paula Rabelo; ORALITY IN THE PRINT: THE ‘I-WE LYRIC-POLITICAL’ FROM CONTEMPORARY INDIGENOUS LITERATURE, by Julie Stefane Dorrico Peres, “EL GUARANI THAT VIENNA ME, HORMIGA, TAHI?”: THE WRITING ALTERNATIVA AND THE KNOWLEDGE LOCATED AT MAR PARAGUAYO, by Ana Lúcia Liberato Tettamanzy and Paloma de Melo Henrique; REWRITING, ORATURE AND SYMBOLISM IN ONDJAKI, by Demétrio Alves Paz and Sabrina Ferraz Fraccari; and INDIAN MEMORIES: A HUMANIZING READING OF DANIEL MUNDURUKU'S INDIGENOUS LITERATURE, by Nathally Regina M. N. Campos. Finally, fieldwork involving oral narratives and memories results in reflections about cultural identities, social representations and regional imaginary. This is the case of A DONA DO MATO AND OTHER QUILOMBOSERTANEJAS STORIES, by Carlene Vieira Dourado and Mauren Pavão Przybylski; THE MALINE ENCHANTED: THE WHITE FACE OF THE BOTO IN NARRATIVES RIBEIRINHAS MARAJOARAS, by Cristiane do Socorro Gonçalves Farias; and CAIPIRAS NARRATIVES: THE REINVENTION OF DAILY LIVES IN PAULISTAN, Daniel Batista Lima Borges. Once again, Boitatá affirms its commitment to dialogue with different perspectives criticisms and creations around the word, whether sung, improvised, written, transcultured, performed or whatever it is as an aesthetic and human possibility. Good benefit to readers and readers, who remain as restless as our unique creature.