Rhythm and meaning, by Hans Ulrich Gumbrecht

Authors

DOI:

https://doi.org/10.5433/1678-2054.2023vol43n1p117

Keywords:

rhythm, meaning, functions of rhythm

Abstract

Based on the idea that the association between rhythm and meaning has never been seen as a problem for literary criticism, this essay seeks not only to analyze the concept of rhythm but also to offer solid parameters for the investigation of the phenomenon in the analysis of its functions in the literary text. The author will use the ideas of Humberto Maturana and Francisco Varela as a basis, as well as the reflection of Paul Zumthor, who raised the line of academic reflection according to which the “dynamics of the voice” is an importante aspect for the phenomena associated to rhythm. Based on the analysis done in the essay, the idea is to problematize the association between rhythm and meaning, intiving critics, teachers and readers for a reflection about the phenomenon and outlining a line of investigation not well explored up this moment, and which consists in an element that constitutes, according to what the same author will call in another essay of his authorship, in the non-hermeneutic field and materialities of communication.

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Author Biography

Greicy Pinto Bellin, Centro Universitário Campos de Andrade - UNIANDRADE

Professora titular do Programa de Pós-Graduação em Teoria Literária da UNIANDRADE.

References

BENVENISTE, Émile. La notion de “rythme” dans son expression linguistique. Problèmes de linguistique générale. Paris: Gallimard, 1966. 327-335.

HUSSERL, Edmund. Die Vorlesungen über das innere Zeitbewußtsein aus dem Jahre 1905. Edmund Husserl, ed. Zur Phänomenologie des inneren Zeithewußtseins (1893-1917). Den Haag: Nijhoff, 1966 [1905]. 3-98. DOI: https://doi.org/10.1007/978-94-015-3945-6_1

JAKOBSON, Roman. Linguistik und Poetik. Poetik: Augeswählte Aufsätze 1921-1971. Frankfurt am Main: Suhrkamp, 1979 [1960]. 83-121.

LUHMANN, Niklas. Das Kunstwerk und die Selbstreproduktion der Kunst. Hans Ulrich Gumbrecht & K. Ludwig Pfeiffer, eds. Stil: Geschichten und Funktionen eines kulturwissenschaftlichen Diskurselements. Frankfurt am Main: Suhrkamp, 1986. 620-672.

MATURANA, Humberto R. Biologie der Sprache: Die Epistemologie der Realität. Humberto R. Maturana. Erkennen: Die Organisation und Verkörperung von Wirklichkeit. Braunschweig: Vieweg, 1982. 236-271. DOI: https://doi.org/10.1007/978-3-322-91090-5_10

MATURANA, Humberto R. & Francisco J. Varela. Der Baum der Erkenntnis: Die biologischen Wurzeln des menschlichen Erkennens. Bern: Scherz, 1987.

MEAD, George Herbert. Die Philosophie der Sozialität. George Herbert Mead & Hansfried Kellner, eds. Philosofie der Sozialität: Aufsätze zur Erkenntnisanthropologie. Frankfurt am Main: Suhrkamp, 1969 [1929]. 229-271

SCHÜTZ, Alfred. Der sinnhafte Aufbau der sozialen Welt: Eine Einführung in die verstehende Sociozoligie. Vienna: Springer, 1960. DOI: https://doi.org/10.1007/978-3-7091-5948-4

ZUMTHOR, Paul. Introuction à la poésie orale. Paris: Seuil, 1983.

Published

2023-06-06

How to Cite

BELLIN, G. P.; PADOVINO , A. P. C. de O. Rhythm and meaning, by Hans Ulrich Gumbrecht. Terra Roxa e Outras Terras: Revista de Estudos Literários, [S. l.], v. 43, n. 1, p. 117, 2023. DOI: 10.5433/1678-2054.2023vol43n1p117. Disponível em: https://ojs.uel.br/revistas/uel/index.php/terraroxa/article/view/47004. Acesso em: 19 may. 2024.