About passages: the experience between literature, cinema and video in Point Omega, by Don Delillo
DOI:
https://doi.org/10.5433/1678-2054.2015v29p87Keywords:
Ponto Ômega, Douglas Gordon, Cinema, VídeoAbstract
Within the discussions about new media and its relevance in the creation of artistic objects in the contemporaneity, specially by the interface with the literary object, this article proposes to discuss the novel Point Omega (2010), by Don DeLillo, in order to realize in which way 24 hours Psycho (1993), Douglas Gordon’s video installation, comes up with its translation to the literary code, for the purpose of promoting the liaison between literature, cinema and video.References
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