About passages: the experience between literature, cinema and video in Point Omega, by Don Delillo
DOI:
https://doi.org/10.5433/1678-2054.2015v29p87Keywords:
Ponto Ômega, Douglas Gordon, Cinema, VídeoAbstract
Within the discussions about new media and its relevance in the creation of artistic objects in the contemporaneity, specially by the interface with the literary object, this article proposes to discuss the novel Point Omega (2010), by Don DeLillo, in order to realize in which way 24 hours Psycho (1993), Douglas Gordon’s video installation, comes up with its translation to the literary code, for the purpose of promoting the liaison between literature, cinema and video.Downloads
References
BENJAMIN, Walter. Das Passagenwerk. Frankfurt: Suhrkamp, 1983.
BENJAMIN, Walter. Passagens. Belo Horizonte: Ed. UFMG, 2006.
BOLTER, Jay David; GRUSIN, Richard. Remediation: understanding new media. Cambridge: MIT Press, 1999.
DELILLO, Don. Ponto Ômega. São Paulo: Companhia das Letras, 2011.
DUBOIS, Philippe. Cinema, vídeo, Godard. São Paulo: Cosac Naify, 2004.
DUBOIS, Philippe. A questão da “forma-tela”: espaço, luz, narração, espectador. In: GONÇALVES, Osmar (Org.). Narrativas sensoriais: ensaios sobre cinema e arte contemporânea. Rio de Janeiro: Circuito, 2014. p. 123-158.
FLUSSER, Vilém. O universo das imagens técnicas: elogio da superficialidade. São Paulo: Annablume, 2008.
FLUSSER, Vilém. Filosofia da caixa preta: ensaios para uma futura filosofia da fotografia. São Paulo: Annablume, 2011.
FRANCASTEL, Pierre. Arte e técnica nos séculos XIX e XX. Lisboa: Livros do Brasil, 2000.
GOURLEY, James. Terrorism and temporality in the works of Thomas Pynchon and Don DeLillo. New York: Bloomsburry, 2013.
GUMBRECHT, Hans Ulrich. Modernização dos sentidos. São Paulo: 34, 1998.
GUMBRECHT, Hans Ulrich. Produção de presença: o que o sentido não consegue transmitir. Rio de Janeiro: Contraponto, 2010.
JENKINS, Henry. Cultura da convergência. São Paulo: Aleph, 2009.
KITTLER, Friedrich A. Gramophone, Film, Typewriter. California: Stanford University Press, 1999.
MCCRUM, Robert. Don DeLillo: ‘I’m not trying to manipulate reality – this is what I see and hear’. The Guardian. Disponível em: . Acesso em 15 fev. 2015.
MCLUHAN, Marshall. Os meios de comunicação como extensões do homem. São Paulo: Cultrix, 1988.
MULVEY, Laura. Death 24x a Second: stillness and the moving image. London: Reaktion, 2006.
PARENTE, André. A forma cinema: variações e rupturas. In: MACIEL, Katia (Org.). Transcinemas. Rio de Janeiro: Contra Capa, 2009. p. 23-48.
SPREICER, Jelena. Spectral visuality in novels by Don DeLillo. Diploma Thesis. Filozofski fakultet u Zagrebu, Department of English Language and Literature. [mentor Grgas, Stipe]. 2011.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.
