Acordes adversos: a harmonia de "Eu sou a vida, eu não sou a morte"

Célia Patrícia Sampaio Bandeira

doi:10.5433/1678-2054.2008v14p47

Adverse chords: the harmony of “Eu sou a vida, eu não sou a morte”

Authors

Célia Patrícia Sampaio Bandeira Universidade Federal do Espírito Santo https://orcid.org/0000-0001-9229-922X

DOI:

https://doi.org/10.5433/1678-2054.2008v14p47

Keywords:

Modern drama, Literature and philosophy, Brazilian drama

Abstract

Our reading purposal upon a Qorpo Santo’s comedy: Eu sou a vida, eu não sou a morte, conceives harmony resulting from opposites moviments and searches for the warp built into melodycal voices’ density crossed over time and space. We also seek for the configuration of what we understand as a poliphonic-harmonic texture into the fusion of elements that seems opposite considering that this drama breaks a linear reading model of voices and cronologycal time pattern.

Author Biography

Célia Patrícia Sampaio Bandeira, Universidade Federal do Espírito Santo

Master student in Letters Universidade Federal do Espírito Santo

References

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NIETZSCHE, Friedrich. O nascimento da tragédia ou helenismo e pessimismo. São Paulo: Cia das Letras, 1992.

Os pensadores originários: Anaximandro, Parmênides, Heráclito. Trad. Emmanuel Carneiro Leão e Sérgio Wrublewski. Rio de Janeiro: Vozes, 1999.

QORPO SANTO. Teatro completo. Guilhermino César, org. Rio de Janeiro: SNT/Funarte, 1980.

ROSSET, Clément. O real e seu duplo. Porto Alegre: L&PM, 1998.

SOUZA, R. M. O Romance tragicômico de Machado de Assis. Disponível em: http://www.letras.ufrj.br/posverna/docentes/61076-2.pdf. . Acesso em: 13/10/2007.

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Published

2016-03-24

How to Cite

Bandeira, Célia Patrícia Sampaio. “Adverse Chords: The Harmony of ‘Eu Sou a Vida, Eu não Sou a morte’”. Terra Roxa E Outras Terras: Revista De Estudos Literários, vol. 14, Mar. 2016, pp. 47-55, doi:10.5433/1678-2054.2008v14p47.

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Issue

Vol. 14: Literatura dramática moderna em perspectiva

Section

Artigos

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