Dialogues between literature and painting in Visconde de Taunay’s travel narratives
DOI:
https://doi.org/10.5433/1678-2054.2021v41p48Keywords:
Visconde de Taunay, Literature, Painting, Travel narratives.Abstract
The trips that Visconde de Taunay, still very young, undertook within the Brazilian territory, as well as the cultural upbringing provided by his family of French artists, definitely marked his literary production. In his works, the verbal construction remains in constant dialogue with painting, as it is possible to analyze, for example, in A Marcha das Forças (1865-1866), Inocência (1972), A Retirada da Laguna (1972), Memórias (1908) and Viagens de Outrora (1921). Pictorial descriptions, references to light and shadow, framing and a lexicon related to the visual arts are some of the instruments that Taunay uses to generate a suspension effect in the narrative which is capable of leading the reader to the contemplation of images and pictures made present in the verbal weaving.References
BOSI, Alfredo. História concisa da literatura brasileira. 37. ed. São Paulo: Cultrix, 1994.
CANDIDO, Antonio. Formação da literatura brasileira: momentos decisivos. 9. ed. 2v. Belo Horizonte: Itatiaia, 2000.
CASTRILLON-MENDES, Olga Maria. Taunay viajante e a construção da imagética de Mato Grosso. Tese (Doutorado em Letras), Universidade Estadual de Campinas, 2007.
CORTEZ, Clarice Zamoro. Literatura e Pintura. Thomas Bonnici & Lúcia Osana Zolin, orgs. Teoria literária: abordagens históricas e tendências contemporâneas. Maringá: UEM, 2005. 355-368.
LOUVEL, Liliane. A descrição pictural: por uma poética do iconotexto. Márcia Arbex. Poéticas do visível: ensaios sobre a escrita e a imagem. Belo Horizonte: UFMG, 2006.
STUMPF, Lúcia Klück. Fragmentos de guerra: imagens e visualidades da guerra contra o Paraguai (1865-1881). Tese (Doutorado em Antropologia Social), Universidade de São Paulo, São Paulo, 2019.
TAUNAY, Visconde de. A retirada da Laguna. São Paulo: Martin Claret, 2013.
TAUNAY, Visconde de. Inocência. São Paulo: Martin Claret, 2008.
TAUNAY, Visconde de. Memórias. São Paulo: Iluminuras, 2005.
TAUNAY, Visconde de. Viagens de outrora. 2. ed. São Paulo: Melhoramentos, 1921.
WIMMER, Norma. A paisagem sul mato-grossense sob a perspectiva de Taunay. XI Congresso Internacional da ABRALIC - Tessituras, Interações, Convergências. 13 a 17 de julho de 2008. São Paulo: USP, 2008. Disponível em: https://abralic.org.br/eventos/cong2008/AnaisOnline/simposios/pdf/015/NORMA_WIMMER.pdf.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Terra Roxa e outras Terras
This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.
