The worm and the yard: poetry and photography in Carlos Drummond de Andrade and Adélia Prado
DOI:
https://doi.org/10.5433/1678-2054.2016v32p106Keywords:
Brazilian poetry, Photography, Carlos Drummond de Andrade, Adélia PradoAbstract
Based on the studies developed by Benjamin, Barthes and Agamben on photography, the goal of the present paper is to reflect upon the relation established between the poetic and photographic texts depicted in Carlos Drummond de Andrade’s “Os mortos de sobrecasaca” and Adélia Prado’s “Fotografia”. We intend to investigate the way in which photography, though absent, that is, it does not integrate the work that the poem is published, it is textualized by the speaker.Downloads
References
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PRADO, Adélia. Poesia reunida. São Paulo: Siciliano, 1991.
RAMOS, Nuno. Junco. São Paulo: Iluminuras, 2012.
RUIZ, Alice. Apresentação. In: Paulo Leminski. Toda poesia. São Paulo: Companhia das Letras, 2013. p. 7-11.
SONTAG, Susan. Sobre fotografia. Trad. Rubens Figueiredo. São Paulo: Companhia das Letras, 2004.
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