The context of enunciation and the socio-political conditions for staging the play Le Demi-monde, by Alexandre Dumas Filho
DOI:
https://doi.org/10.5433/1678-2054.2008v14p88Keywords:
Bourgeois drama, Enunciation, Literary fieldAbstract
The purpose of this paper is to explore the social and political conditions that led the author Alexandre Dumas Jr. to choose the Théâtre du Gymnase to the release of his play Le Demi-Monde, in 1855. The source used was the prelude presented in the collection Complet Theater, published in 1898, in which the author explains his reasons to write the play focusing on this theater and to refuse representing in the Théatre-Français. The theoretical basis comprehends the specificity of the theatrical dialogue and its triple situation of enunciation, concepts founded in Dominique Maingueneau’s Pragmática para o discurso literário (1996).Downloads
References
CHARAUDEAU, Patrick, & Dominique Maingueneau. Dicionário de análise do discurso. São Paulo: Contexto, 2006.
DUMAS fils, Alexandre. Théâtre complet avec préfaces inédites. T. II. Paris: Calmann Lévy, 1898.
MAINGUENEAU, Dominique. Pragmática para o discurso literário. São Paulo: Martins Fontes, 1996.
MAINGUENEAU, Dominique. O contexto da obra literária. São Paulo: Martins Fontes, 2001.
MAINGUENEAU, Dominique. Discurso literário. São Paulo: Contexto, 2006.
MIQUEL, Jean-Pierre et al. Comédie-Française. Connaissance des arts, 1996.
TOPAL, Eron. Une Histoire du théâtre du gymnase. Disponível em http://www.theatredugymnase.com/theatre.html. Acesso em 09/07/2008.
NOEL, Carlos Martin. Les idées sociales dans le théâtre de A. Dumas fils. Paris: A. Messin, 1912.
SARCEY, Francisque. Alexandre Dumas fils. Cosmopolis, Revue internacionale, 1.1 (janvier 1896): 171-183.
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