Dialogism and orallity marks in A mulher que escreveu a bíblia by Moacyr Scliar
DOI:
https://doi.org/10.5433/1678-2054.2006v7p2Keywords:
Novel, Orallity, Updating, TraditionAbstract
The present work wishes to demonstrate the presence of an oral tradition, captured by the experience, memory and for a stylization of the speech written, inside the contemporary literature, especially in the romance A mulher que escreveu a Bíblia by Moacyr Scliar. With this purpose, we will admit as starting point, an attempt of concept, conceiving it as a form directly linked to the sound universe (and therefore, oral) and in the sequence, we will try to reveal the orallity marks not only in the construction of the speech, but also in the updating of a tradition that is intended in the voice of the narration.References
CULLER. J. 1999. TeoriadaLiteratura:uma introdução. Tradução Sandra G. T. Vasconcelos. São Paulo: Beca.
FERNANDES, F. G. 2003. “A voz nômade: introduzindo questões acerca da poesia oral”. A voz em performance. Tese (Doutorado em Letras). Assis: Faculdade de Ciências e Letras - Universidade Estadual Paulista: 19 – 72.
MACHADO, I. A. 1995. “Dialogismo e oralidade”. O romanceea voz: a prosaica dialógica de Mikhail Bakhtin. Rio de Janeiro: Imago: 157 – 170.
ONG, W. 1998. “A oralidade da linguagem”. Oralidade e cultura escrita. Tradução de Enid A. Dobránszky. Campinas: Papirus: 13 – 24.
SCLIAR, M. 1999. A Mulher queEscreveu a Bíblia. São Paulo: Companhia das Letras.
SOUZA, E. M. 2002. “Algumas Palavras”. CríticaCult. Belo Horizonte: UFMG: 11 – 25.
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