Afrofuturism in the sequential adaptation of Kindred (2017)

Authors

DOI:

https://doi.org/10.5433/2237-4876.2024v27n2p14-26

Keywords:

Afrofuturism, Comics, Kindred (2017)

Abstract

The sequential adaptation Kindred (2017) narrates the experiences of the protagonist, Dana, facing slavery and racism, during her various travels through time in 19th century Maryland, in the United States of America. This comic book is an adaptation of the eponymous Afrofuturistic novel by American writer Octavia E. Butler from 1979, by cartoonists Damian Duffy and John Jennings. Through intersectional representations between gender, power, and race, they more vividly illustrate the violence faced by Dana on an ancient Antebellum plantation. Therefore, the objectives of this research were to identify the main Afrofuturistic elements applied in the adaptation and verify how sequential resources were used both to intensify the reader's experience and to promote a more reliable adaptation (Cartmell, 1999). Through deconstructivist methodology (Derrida, 2010; Evans, 2020; Shaikh, 2022), we identify a profound revisionism concerning the relationships between gender, power, and race. Consequently, this revisionism has been proven in a multitude of sequential representations of historical reinterpretations, reconstructions, and reconciliations. These cartoonists do not suggest forgetting the past but understanding it as an hodiernal entity.

Downloads

Download data is not yet available.

Author Biographies

Carlos Eduardo de Araujo Placido, Federal University of Mato Grosso do Sul

PhD in Linguistic and Literary Studies in English from the University of São Paulo (USP). MA in Literature Studies from the Federal University of São Carlos (UFSCAR). BA in Portuguese/English Literature from the University of São Paulo (USP). I am currently an adjunct professor of English-language literatures at the Federal University of Mato Grosso do Sul (UFMS). My area of research focuses on creative, linguistic and literary studies in the English language, particularly in the United States of America. I am also the coordinator of the Academic and Creative Literacy Laboratory (LALAEC) at UFMS. The function of LALAEC is to help develop scientific and creative writing in English. My areas of research interest are: cinemas, fairy tales, creative writing, comics, mythologies, theaters and video games. I am also a researcher associated with ASPAS (Association of Researchers in Sequential Art) and ABRAPT (Brazilian Association of Researchers in Translation). ceplacido@gmail.com

Nataniel dos Santos Gomes, Federal University of Mato Grosso do Sul

He has a degree in Letters (Portuguese / Literature) from the State University of Rio de Janeiro (1996), a master's degree in Linguistics from the Federal University of Rio de Janeiro (2002) and a PhD in Linguistics from the Federal University of Rio de Janeiro (2007), post-doctorate in Portuguese Language at the State University of Rio de Janeiro (2019). He is a professor in the undergraduate and graduate programs (Academic Master's in Letters and Professional Master's in Letters) at the State University of Mato Grosso do Sul (UEMS) in Campo Grande. She has experience in Linguistics, with an emphasis on Linguistic Theory and Analysis, working mainly on the following subjects: linguistic description, Brazilian indigenous languages, weblinguagem and comic strips. She is the leader of the Comics Research Center (NuPeQ) and the Indigenous Languages Center of Mato Grosso do Sul (NuLIMS), and vice-leader of the Semiotics, Reading and Text Production Group (SELEPROT-UERJ). Member of the Fluminense Circle of Philological and Linguistic Studies (CiFEFiL) and director of the Association of Researchers in Sequential Art (ASPAS). Author of numerous articles and more than 40 books. nataniel@uems.br

References

BLOOMFIELD, David. Reconciliation After Violent Conflict A Handbook. Handbook Series. Holmberg & Holmberg Design AB: Sweden, 2003.

BRAYBOY, B. M. Toward a tribal critical race theory in education. The Urban Review, 37 (5), 425-446, 2006. DOI: https://doi.org/10.1007/s11256-005-0018-y

BUROCCO, Laura. Afrofuturismo e o devir negro do mundo. Revista Arte e Ensaios, n. 38, julho de 2019. Disponível em: https://revistas.ufrj.br/index.php/ae/article/view/26373/15167 Acesso em: 04 mar. 2024.

CARTMELL, Deborah. Adaptations: From Text to Screen, Screen to Text, London: Routledge, 1999.

DERRIDA, J. Grammatology. London Routledge Press, 2010.

DONALDSON, Eileen. A contested freedom: The fragile future of Octavia Butler’s Kindred. In: English Academy Review: Southern African Journal of English Studies, 31:2, 94-107, 2014. DOI: https://doi.org/10.1080/10131752.2014.965423

EVANS, C. Strategies of Deconstruction: Derrida and the Myth of the Voice. USA: University of Minnesota Press, 2020.

FIELDER, T. Infinitum: An Afrofuturist Tale. Amistad: New York, 2021.

FOLKE, C., S. R. Carpenter, B. Walker, M. Scheffer, T. Chapin, and J. Rockström. 2010. Resilience Thinking: Integrating Resilience, Adaptability and Transformability. Ecology and Society 15 (4). Disponível em <http://www.ecologyandsociety.org/vol15/iss4/art20/>. Acessado em 16/01/2024. DOI: https://doi.org/10.5751/ES-03610-150420

FOUCAULT, M. A ordem do discurso. Universidade Federal de Goiás. Goiânia, 2004.

FREUD, S. O estranho. In S. Freud. Obras psicológicas completas de Sigmund Freud (J. Salomão, Trad.). Rio de Janeiro, RJ: Imago. (Obra originalmente publicada em 1919), 2020.

GODDARD, STACEY. Embedded Revisionism: Networks, Institutions, and Challenges to World Order. In: International Organization, 72 (4): 763–97, 2018. DOI: https://doi.org/10.1017/S0020818318000206

HAWKING, Stephen. Uma Breve História do Tempo. Rio de Janeiro: Editora Intrínseca, 2015.

HOFSTEDE, G. Culture and Organizations: Software and the Mind. New York: McGraw-Hill Companies, 2007.

JEMISIN, N. K. Far Sector. DC Comics: New York, 2021.

JENNINGS, J.; DUFFY, D. Kindred: A Graphic Novel Adaptation. ‎ Abrams Comicarts, 2017.

MCGREGOR, D; BUCKLER, R; GRAHAM, B; LEE, S. Black Panther. Penguin Classics Marvel Collection: London, 2016.

MCNEESE, Tim. The Civil Rights Movement; Striving for Justice. Infobase Publishing, 2008.

SAID, E. Orientalism. New York: Vintage Books, 2010.

SCOTT, Astrada. Home and Dwelling: Re-Examining Race and Identity Through Octavia Butler’s Kindred and Paul Beatty’s The Sellout In: Journal of French and Francophone Philosophy Revue de la philosophie française et de langue française. Vol. XXV, N. 1, 2017. DOI: https://doi.org/10.5195/jffp.2017.816

SHAIKH, Hadi. Structuralism and Post-Structuralism. Philadelphia. University of Pennsylvania Press, 2022.

SIMMEL, G. Conflict and the Web of Group Affiliations. Trad. Kurt H. Wolff and Reinhard Bendix. New York: Simon and Schuster, 2010.

SUMMERS, Mark Wahlgren. The Ordeal of the Reunion: A New History of Reconstruction. Chapel Hill: University of North Carolina Press, 2015.

TEGMARK, M. Our Mathematical Universe: My Quest for the Ultimate Nature of Reality. Random House, New York, London, 2014.

THOMAS, C. D. Inheritors of the Earth. How Nature Is Thriving in an Age of Extinction. London: Allen Lane, 2017.

TUCKER, Aviezer. Historiographic Revision and Revisionism. Budapest: Central European University Press, 2008. DOI: https://doi.org/10.1515/9786155211423-002

TYRRELL, Ian R. Historians in Public: The Practice of American History, 1890-1970. Chicago: U of Chicago P, 2005.

YOUNG, Iris M., in Global Challenges: War, Self-Determination and Responsibility for Global Justice. Responsibility, Social Connection and Global Labour Justice, Cambridge, Polity :160-186, 2007.

WIGGS, Kimber L. "The Trouble: Family, Genre, and Hybridity in Octavia Butler's Kindred." In: Mosaic: an interdisciplinary critical journal. Vol. 54 no. 1, p. 129-145, 2021. DOI: https://doi.org/10.1353/mos.2021.0008

WINDISCH, S., SIMI, P., BLEE, K., and DEMICHELE, M. Understanding the Micro- Situational Dynamics of White Supremacist Violence in the United States. Routledge: New York, 2018.

Published

2024-08-30

How to Cite

ARAUJO PLACIDO, Carlos Eduardo de; DOS SANTOS GOMES, Nataniel. Afrofuturism in the sequential adaptation of Kindred (2017). Signum: Estudos da Linguagem, [S. l.], v. 27, n. 2, p. 14–26, 2024. DOI: 10.5433/2237-4876.2024v27n2p14-26. Disponível em: https://ojs.uel.br/revistas/uel/index.php/signum/article/view/50096. Acesso em: 21 nov. 2024.