Oralidade e improviso em Marcelino Freire: ritmo, voz e subjetividade na leitura de Totonha
DOI:
https://doi.org/10.5433/2237-4876.2010v13n2p43Keywords:
orality, voice, rhythm, Marcelino FreireAbstract
This article discusses aspects of orality, as rhythm and voice, present in the story Totonha of Marcelino Freire, responsible for the construction of subjectivity in reading the character Totonha. The analysis closes literature, philosophy and anthropology; and extends the it idea of reading the world and the literary object.
Downloads
Download data is not yet available.
Downloads
Published
2010-12-02
How to Cite
ALMEIDA, Geruza Zelnys de. Oralidade e improviso em Marcelino Freire: ritmo, voz e subjetividade na leitura de Totonha. Signum: Estudos da Linguagem, [S. l.], v. 13, n. 2, p. 43–58, 2010. DOI: 10.5433/2237-4876.2010v13n2p43. Disponível em: https://ojs.uel.br/revistas/uel/index.php/signum/article/view/4556. Acesso em: 20 dec. 2025.
Issue
Section
Article
License
Copyright (c) 2025 Geruza Zelnys de Almeida
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
This journal reserves the right to make, in the originals, normative, orthographic and grammatical modifications in order to maintain the standard language and the credibility of the publication. It will respect, however, the authors' style of writing. Modifications, corrections and suggestions of conceptual order will be forwarded to the authors, if necessary. In these cases, the papers, once appropriate, should be submitted to a new appreciation. The final examinations will not be forwarded to the authors. Works published become property of Signum, being its total or partial reprint subject to an explicit authorization of the journal. In all subsequent quotes the original source of publication should be mentioned, in case, in Photographic Discourse. Opinions emitted by the authors are their exclusive responsibility.
