Oralidade e improviso em Marcelino Freire: ritmo, voz e subjetividade na leitura de Totonha
DOI:
https://doi.org/10.5433/2237-4876.2010v13n2p43Keywords:
orality, voice, rhythm, Marcelino FreireAbstract
This article discusses aspects of orality, as rhythm and voice, present in the story Totonha of Marcelino Freire, responsible for the construction of subjectivity in reading the character Totonha. The analysis closes literature, philosophy and anthropology; and extends the it idea of reading the world and the literary object.
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Published
2010-12-02
How to Cite
ALMEIDA, Geruza Zelnys de. Oralidade e improviso em Marcelino Freire: ritmo, voz e subjetividade na leitura de Totonha. Signum: Estudos da Linguagem, [S. l.], v. 13, n. 2, p. 43–58, 2010. DOI: 10.5433/2237-4876.2010v13n2p43. Disponível em: https://ojs.uel.br/revistas/uel/index.php/signum/article/view/4556. Acesso em: 4 jul. 2024.
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