Brissac e suas reflexões sobre a teoria das "passagens" nas Artes visuais contemporâneas

Paulo Alves

doi:10.5433/2237-9126.2008v2n3p111

Brissac and his reflections on the theory of "passages" in contemporary visual arts

Authors

Paulo Alves Universidade Estadual de Londrina.

DOI:

https://doi.org/10.5433/2237-9126.2008v2n3p111

Keywords:

Passage, Representation, Images, Movie theater, Video, Photography, Painting, Baroque.

Abstract

Nelson Brissac Peixoto's reflection on the concept of "passage" frames themes from the field of images (cinema, photography, video and painting) to gauge their forms of insertion in the construction of representations in the urban space of modernity.

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Author Biography

Paulo Alves, Universidade Estadual de Londrina.

Associate professor at the Universidade Estadual de Londrina.

References

BENJAMIM, W. Obras Escolhidas. São Paulo: Brasiliense, 1990. v.3.

KOTE, F.R. Walter Benjamim: Antologia. São Paulo: Ática, 1985.

BARTHES, R. A Câmara Clara: Notas sobre fotografia. Rio de Janeiro: Nova Fronteira, 1984.

DELEUZE, G. Imagem: movimento. São Paulo: Brasiliense, 1985.

PEIXOTO, N.B. Passagem da imagem: pintura, fotografia, cinema, arquitetura. In: PARENTE, André (org.). Imagem máquina: a era das tecnologias do virtual. 3. ed. São Paulo: Ed. 34, 1999. p. 237-252.

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Published

2008-11-01

How to Cite

Alves, P. (2008). Brissac and his reflections on the theory of "passages" in contemporary visual arts. Domínios Da Imagem, 2(3), 111–118. https://doi.org/10.5433/2237-9126.2008v2n3p111

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Issue

Vol. 2 No. 3 (2008)

Section

Artigos gerais

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