Vol. 2 No. 3 (2008)
Artigos gerais

Brissac and his reflections on the theory of "passages" in contemporary visual arts

Paulo Alves
Universidade Estadual de Londrina.
Bio

Published 2008-11-01

Keywords

  • Passage,
  • Representation,
  • Images,
  • Movie theater,
  • Video,
  • Photography,
  • Painting,
  • Baroque.
  • ...More
    Less

How to Cite

Alves, P. (2008). Brissac and his reflections on the theory of "passages" in contemporary visual arts. Domínios Da Imagem, 2(3), 111–118. https://doi.org/10.5433/2237-9126.2008v2n3p111

Abstract

Nelson Brissac Peixoto's reflection on the concept of "passage" frames themes from the field of images (cinema, photography, video and painting) to gauge their forms of insertion in the construction of representations in the urban space of modernity.

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References

BENJAMIM, W. Obras Escolhidas. São Paulo: Brasiliense, 1990. v.3.

KOTE, F.R. Walter Benjamim: Antologia. São Paulo: Ática, 1985.

BARTHES, R. A Câmara Clara: Notas sobre fotografia. Rio de Janeiro: Nova Fronteira, 1984.

DELEUZE, G. Imagem: movimento. São Paulo: Brasiliense, 1985.

PEIXOTO, N.B. Passagem da imagem: pintura, fotografia, cinema, arquitetura. In: PARENTE, André (org.). Imagem máquina: a era das tecnologias do virtual. 3. ed. São Paulo: Ed. 34, 1999. p. 237-252.