The photographs and epitafios in cementerios brasileños as historical resources (Siglo XIX, XX y XXI) Alberto Gawryszewski 7-22 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p7
The design-project and its reverse in the armchairs of Luiz Henrique Schwanke Ana Carla de Brito 23-32 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p23
Between cinema and politics: rethinking the authorship of Viva Zapata !, by Elia Kazan Andréa Helena Puydinger de Fazio 33-50 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p33
The demonic imaginary: from Mesopotamia to America Beatriz Rossells 51-66 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p51
Between pencils and carbines: revolutionary art and political propaganda in the pages of Regeneración Fábio da Silva Sousa 67-82 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p67
Dinafilmes and cineclubismo: the alternative distribution of short films during the 1970s in Brazil Flávio Rogério Rocha 83-94 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p83
Green chickens or fighting cocks? Neointegralists, militant memory and the use of cartoons as a political strategy Odilon Caldeira Neto 95-104 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p95
"Fortunately, there are remains": leftovers by Geraldo de Barros and autobiography through photography Priscila Miraz de Freitas Grecco 105-116 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n9p105
