Vol. 5 No. 9 (2011)

Artigos gerais

• The photographs and epitafios in cementerios brasileños as historical resources (Siglo XIX, XX y XXI)

  Alberto Gawryszewski

  7-22

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p7

• The design-project and its reverse in the armchairs of Luiz Henrique Schwanke

  Ana Carla de Brito

  23-32

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  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p23

• Between cinema and politics: rethinking the authorship of Viva Zapata !, by Elia Kazan

  Andréa Helena Puydinger de Fazio

  33-50

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  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p33

• The demonic imaginary: from Mesopotamia to America

  Beatriz Rossells

  51-66

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  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p51

• Between pencils and carbines: revolutionary art and political propaganda in the pages of Regeneración

  Fábio da Silva Sousa

  67-82

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p67

• Dinafilmes and cineclubismo: the alternative distribution of short films during the 1970s in Brazil

  Flávio Rogério Rocha

  83-94

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  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p83

• Green chickens or fighting cocks? Neointegralists, militant memory and the use of cartoons as a political strategy

  Odilon Caldeira Neto

  95-104

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p95

• “Fortunately, there are remains”: leftovers by Geraldo de Barros and autobiography through photography

  Priscila Miraz de Freitas Grecco

  105-116

  • PDF (Português (Brasil))

  DOI: https://doi.org/10.5433/2237-9126.2011v5n9p105