The Bacchic forms and the grotesque Bakhtinian in images of Heavy Metal and Hard Rock Adriano Alves Fiore, Miguel Luiz Contani 7-18 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p7
The condescending woman: a reflection on the reification of the female image on the covers of newspapers Dulce Mazer 19-30 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p19
Classroom cinema: representations of the Middle Ages in The Name of the Rose by Jean-Jacques Annaud Edlene Oliveira 31-40 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p31
Visual Studies: main authors and questions from an emerging field Éverly Pegoraro 41-52 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p41
Festivities and bicentennial in Bogotá. 2010 the gaze of others Marcos González Pérez 53-66 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p53
Interfaces between Art and Politics: construction, erasure and deconstruction of image memories Milton Genésio de Brito 67-76 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p67
Image, memory and information: a tripod for the photographic document Miriam Paula Manini 77-88 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p77
Images of the Spanish Counter-reform in Brazil: the life of São João da Cruz in the church of the Third Order of Carmo in Cachoeira, Bahia Roberta Bacellar Orazem, Maria de Fátima Hanaque Campos 89-104 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p89
Jano's two faces in Bonnie and Clyde - a burst of bullets Soleni Biscouto Fressato 105-116 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p105
SILVA, Ana Cristina Teodoro da. Temporalidades em Imagens da Imprensa: capas de revistas como signos de olhares contemporâneos. Maringá: EDUEM, 2011, 273p. Jorge Luiz Romanello 119-124 PDF (Português (Brasil)) DOI: https://doi.org/10.5433/2237-9126.2011v5n8p119
