Vol. 4 No. 6 (2010)

View Vol. 4 No. 6 (2010)

Published: 2015-09-10

Artigos gerais

Orality, teaching and images in the view of Túndalo

Adriana Maria de Souza Zierer

7-22
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p7
Matthew Bourne's Swan Lake: practices of looking at his dancing images

Alba Pedreira Vieira

23-38
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p23
The jaguar friend between the public and private boundaries (1956 - 1961)

Ana Flávia Dias Zammataro

39-52
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p39
Behind the image, ‘the look’: the use of photography in cultural studies

André Camargo Lopes

53-66
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p53
The dispute of the imaginary: the representations of cangaço in national cinema (1950)

Caroline Lima Santos

67-74
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p67
The icon of the Holy Trinity by Andrei Rublev: an approach to the study of the artistic expression of the Trinitarian mystery in the Byzantine icon of the Holy Trinity by Andrei Rublev

Cecilia Inés Cibeira

75-84
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p75
Spatial apprehension in postwar Italian society

Denaldo Alchorne de Souza

85-90
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p85
Everyday images of the School for All (or Inclusive School) at the end of the 20th century: time and space as focus of analysis

Fabiany de Cássia Tavares Silva

91-102
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p91
The images that emerge from the power of writing: Suassuna's Auto - from the medieval to social criticism

João Evangelista do Nascimento Neto

103-112
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p103
Social history and cinema: an approach to the period 1955-1976 through Los Traidores

Pablo Alvira

113-128
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p113
Photographic culture in Bahia: Osmar Micucci and photography in Jacobina (1950s and 1960s)

Valter Gomes Santos de Oliveira

129-146
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p129

Resenhas

Resenha: Sentidos do humor, trapaças da razão: a charge

Rozinaldo Antonio Miani

135-138
- PDF (Português (Brasil))
DOI: https://doi.org/10.5433/2237-9126.2010v4n6p135