Maria Bethânia in Pássaro da Manhã: The Interart dialogue at Neo-rhapsodes’ work
DOI:
https://doi.org/10.5433/1678-2054.2013v25p29Keywords:
Maria Bethânia, Pássaro da Manhã, Oral poetry, Dramaturgy rhapsodicAbstract
In 1977, Maria Bethania debuted the Pássaro da Manhã concert. This spectacle, directed by Fauzi Arap, has combined songs and literary texts to prepare an intertextual dramaturgy, with political subtext, in favor of amnesty. The concert is a good example of a spectacle model that Maria Bethania develops at least since the early 1970s which puts in dialogue theater, music, literature and visual arts. This performance, while brings features of “rhapsodic drama”, according to Jean-Pierre Sarrazac’s concept, is binded a singular poetic making, coupled with voice and characteristic of oral cultures.References
COSTA, Iná Camargo. Sinta o Drama. Petrópolis: Vozes, 1998.
DAVINI, Silvia Adriana. “Voz e Palavra – Música e Ato.” Cláudia Neiva de Matos et al, orgs. Palavra Cantada: Ensaios sobre Poesia, Música e Voz. Rio de Janeiro: 7 letras, 2008. 307-315.
FAOUR, Rodrigo. “Pássaro da Manhã” (1977). Intérprete: Maria Bethânia. MARIA BETHÂNIA. Pássaro da Manhã. Rio de Janeiro: Universal music, 2006. 1 CD.
MARIA BETHÂNIA. Entrevista Concedida a Marília Gabriela. Disponível em: <http://www.youtube.com/watch?v=Esq_7qcGg6I>. Acesso em: 12 set. 2012.
MOTA, Marcus. A Dramaturgia Musical de Ésquilo: Investigações sobre Composição, Realização e Recepção de Ficções Audiovisuais. Brasília: Ed. UnB, 2008.
MOTTA, Nelson. “Bethânia em Cena: Esperança, Liberdade e Corações Apaixonados”. O Globo (Rio de Janeiro) 24 jan. 1977.
OLIVEIRA, Solange Ribeiro de. “Introdução à Melopoética: a Música na Literatura Brasileira”. Solange Ribeiro de Oliveira et al. Literatura e Música. São Paulo: Senac, 2003. 17-48.
ROCHA, José Maria. Pássaro da Manhã [mensagem pessoal]. Mensagem recebida impressa por Renato Forin Jr. em 21 out. 2011.
SANTOS, Joaquim Ferreira dos. “A Otimista”. Veja (São Paulo) (1977).
SARRAZAC, Jean-Pierre, org. Léxico do Drama Moderno e Contemporâneo. São Paulo: Cosac Naify, 2012.
SARRAZAC, Jean-Pierre, org. O Futuro do Drama. Porto: Campo das Letras, 2002.
SCHURÉ, Eduardo. Historia del Drama Musical. Buenos Aires: Editorial Schapire, 1945.
TATIT, Luiz. O Século da Canção. Cotia: Ateliê editorial, 2004.
WISNIK, José Miguel. Sem Receita. São Paulo: Publifolha, 2004.
ZUMTHOR, Paul. Introdução à Poesia Oral. Belo Horizonte: Ed. UFMG, 2010.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.
