The Representation of the Modern Subject between the Symbolism and the Orphic Generation
DOI:
https://doi.org/10.5433/1678-2054.2012v23p67Keywords:
Mimesis, Representation of modern subject, Orpheu’s generationAbstract
This article proposes a reading of three Portuguese poems: Final (Camilo Pessanha), “Impressões do Crepúsculo” (Fernando Pessoa) and “16” (Mario de Sá-Carneiro)to investigate their points of convergence, proposing to claim that’s own production are representative of a new way to think the conception of subject at the turn of the nineteenth to the twentieth century, presenting them as a signal of a new production and the mimesis conception, it is established by the break of a Cartesian metaphysics tradition after Kant’s critical positioning.Downloads
References
GAY, Peter. Modernismo: o fascínio da heresia: de Baudelaire a Beckett e mais um pouco. São Paulo: Companhia das Letras, 2009.
GIL, José. Fernando Pessoa ou a Metafísica das Sensações. Lisboa: Relógio D’Água, 1987.
KANT, Immanuel. Introdução à Crítica do Juízo. Textos selecionados. São Paulo: Abril Cultural, 1980.
LIMA, Luiz Costa. Mímesis: desafio ao pensamento. Rio de Janeiro: Civilização Brasileira, 2000.
LIND, Georg Rudolph. Teoria Poética de Fernando Pessoa. Porto: Editora Inova, 1970.
PESSANHA, Camilo. Clepsidra e Poesias Dispersas. Mem Martins: Publicações EuropaAmérica, 1997.
PESSOA, Fernando. O Eu profundo e os outros Eus. Rio de Janeiro: Nova Fronteira, 1980.
SÁ-CARNEIRO, Mário. 16: Orpheu, Lisboa, n. 1, Revista trimestral de Literatura 1915. Edição Fac-símile. Disponível em: < http://pt.scribd.com/doc/67991299/Revista-Orpheu-N%C2%BA-1-pdf-rev>. Acesso em: 28 maio. 2012.
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