Creation between nothing and eternity
DOI:
https://doi.org/10.5433/1678-2054.2008v14p5Keywords:
Permanence, Reality, Pirandello, ShakespeareAbstract
From a concept developed by Pirandello, the permanence of art form, it is analyzed in this paper the fictionalized reality in association with theatrical metalanguage, or ‘metatheater’. That textual and scenic skill is seen as an opportunity for playwrights discuss the relationship between real and fictional, by placing a sort of illusionism on the plane of his fiction, the reality of characters in action – which is the theatrical text and therefore staging.References
BORGES, Jorge Luis. “Magias parciales Del Quijote”. Otras inquisiciones. Obras completas 2. Barcelona: Emecé, 1989. 71-73.
PIRANDELLO, Luigi. “Prefácio do autor”. Três personagens à procura de um autor. Trad. Elvira Rina Malerbi Ricci. São Paulo: Abril Cultural, 1981.
PIRANDELLO, Luigi. Os gigantes da montanha. Trad. Maria de Lourdes Rabetti. Dramaturgias. Rio de Janeiro: 7 Letras, 2005.
SHAKESPEARE, William. A tempestade. Trad. Bárbara Heliodora. Rio de Janeiro: Lacerda, 1999.
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