“Lembrança de morrer” e o Guesa: dialogues
DOI:
https://doi.org/10.5433/1678-2054.2007v10p21Keywords:
Brazilian romantism, Poetry romantic, TitanismAbstract
The present work discusses the presence of a titanic posture inside the Brazilian romantic poetry. Supported in the concept of romantic irony, present in the center of the ideas of the romantic Group of Iena, we will make a reappraisal of the poem “ Memory of dying”, of Álvares de Azevedo, and of a fragment of Guesa, of Sousândrade, pointing for the presence of an inherent rational beginning to those works.References
BOSI, A. 1993. Imagens do romantismo no Brasil. In: GUINSBURG, J. (Org.). O Romantismo. 3. ed. São Paulo: Perspectiva.
CAMILO, V. 1997. Risos entre pares: poesia e humor românticos. São Paulo: Edusp/Fapesp
MAGALHÃES, G. de. 2002. Suspiros poéticos e saudades. Introdução e notas de Sergio Buarque de Holanda. Brasília: Editora da UNB.
NOVALIS, F. von H. 1988. Pólen: fragmentos, diálogos, monólogo. Tradução, apresentação e notas: Rubens Rodrigues Torres Filho. São Paulo: Iluminuras.
SCHLEGEL, F. 1994. Conversa sobre a poesia: e outros fragmentos. Trad. C. Berretini. São Paulo: Iluminuras.
SOUSÂNDRADE, J. de. 1979. O Guesa. Edição fac-similar organizada por Jomar Moraes. São Luís: SIOGE.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.
