Cinema and history teaching: propaganda and critics in october and triumph of the will

Authors

  • Marcos Silva Universidade de São Paulo

DOI:

https://doi.org/10.5433/2238-3018.2009v15n0p103

Keywords:

October (the movie), The triumph of the will, Serguei Eisenstein.

Abstract

This article discusses the movies October (1927) by Serguei Eisenstein and Grigory Alexandrov, and Triumph of the Will (1935) by Leni Riefenstahl. The text highlights the different connections between these movies, and the political regime of the country in which they were produced. Eisenstein and Alexandrov celebrate the Revolution of 1917, but maintain the narrative tensions over the significance of idols for politics. Riefenstahl restates Nazi ideals and defines his movie as propaganda. The two movies can help with the debates over the concept of Totalitarianism during History lessons.

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Author Biography

Marcos Silva, Universidade de São Paulo

Professor of History Methodology at FFLCH / USP

References

ARENDT, H. Origens do totalitarismo. São Paulo: Cia. das Letras, 1989.

BARTHES. R. Aula. São Paulo: Cul trix, 1980.

BENJAMIN, W. A obra de arte na era de sua reprodutibilidade técnica. In: BENJAMIN, W. Magia e técnica, arte política. São Paulo: Brasiliense, 1994. p. 165-196.

DIEHL, P. Propaganda epersuasão na Alemanha nazista. São Paulo: Annablumc, 1996.

GTESEN, R. Nazi propaganda films: a history anil filrnograpy. Jefferson: MacFarland,
2005

SALGADO, S. Terra. São Paulo: Cia. das Letras, 1997.

Published

2009-04-02

How to Cite

Silva, M. (2009). Cinema and history teaching: propaganda and critics in october and triumph of the will. História & Ensino, 15, 103–117. https://doi.org/10.5433/2238-3018.2009v15n0p103

Issue

Section

Artigos