When Two Worlds Collide: representations of the real and fantastic monstrosities in the symbolic set of album covers and singles by the band Iron Maiden

Authors

  • Rodrigo Medina Zagni Universidade de São Paulo – PROLAM/USP.

DOI:

https://doi.org/10.5433/2237-9126.2009v3n4p115

Keywords:

Symbolic representations, Heavy metal, Iron Maiden.

Abstract

Through the study of layers of long plays, compact discs, singles and extended plays promotional English banda Iron Maiden, we identify and understand transmitter and receiver in the set of symbolic representations entered there, and the historical time in which they are inserted, the issues represented there and help in understanding the phenomenon not only as a heavy metal style music, but as a field of production of meaning.

Author Biography

Rodrigo Medina Zagni, Universidade de São Paulo – PROLAM/USP.

PhD student in Political Practices and International Relations at the Universidade de São Paulo – PROLAM/USP.

References

BENJAMIN, Walter. A obra de arte na era de sua reprodutibilidade técnica. Obras Escolhidas. São Paulo: Brasiliense, 1993.

CHACON, Paulo. O que é Rock . São Paulo: Editora Nova Cultural; Brasiliense, 1985.

JANOTTI Jr, Geder. Heavy Metal: O universo tribal e o espaço dos sonhos. 1994. Dissertação (Mestrado) - Unicamp, Campinas: 1994.

JUNG, Carl. Símbolos da transformação. Petrópolis: Vozes, 1986.

NEIVA, Eduardo. Imagem, história e semiótica. Anais do Museu Paulista: História e Cultura Material. Nova série, n. 1, 1993.

Published

2009-05-01

How to Cite

Zagni, R. M. (2009). When Two Worlds Collide: representations of the real and fantastic monstrosities in the symbolic set of album covers and singles by the band Iron Maiden. Domínios Da Imagem, 3(4), 115–136. https://doi.org/10.5433/2237-9126.2009v3n4p115

Issue

Section

Artigos gerais