Image Stutters: History/stories. Regarding Theresa Hak Kyung Cha

Abstract

This work takes as a starting point the work of Chronology (1977) by Theresa Hak Kyung Cha to address the relationships between text, image and montage in the context of photography. The specificity of her work will be reviewed in the context of the conceptual production of the moment based on the recurrence produced by the trauma and the spectral on the image. The questioning of memory (personal-political) and its possibility of narration structure the article.