Jardins em perspectiva: diálogo entre o jardim da Casa da Parreira, o conto “José Matias”, de Eça de Queirós e “Gladíolos”, de Claude Monet

Paula Aparecida Volupca

doi:10.5433/1678-2054.2012v24p104

Gardens in perspective: dialogue between the garden of Parreira’s house, from Eça de Queirós’ short-story “José Matias”, and Claude Monet’s Gladioli

Authors

Paula Aparecida Volupca Universidade Estadual do Centro-Oeste

DOI:

https://doi.org/10.5433/1678-2054.2012v24p104

Keywords:

Claude Monet, Eça de Queirós, Colors, Simbology, Look

Abstract

This study addresses the visual relationship of the tale José Matias of Eça de Queirós and Impressionist aesthetic. Umberto Eco, in Obra Aberta argues that “instead of defining the relationship, rather than the result, the process instead of the event, the probability” (ECO, 2005). Realism and Impressionism schools are contemporary and have as its major representatives, Eça de Queirós and Claude Monet. We intend to demonstrate the possible relations between the tale of Eça and the Monet screen Gladioli, analyzing the corresponding imagery training between text and painting through the colors used to create the atmosphere that directly affects the senses.

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Author Biography

Paula Aparecida Volupca, Universidade Estadual do Centro-Oeste

Graduation in Letters from the Universidade Estadual do Centro-Oeste.

References

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Published

2012-12-30

How to Cite

Volupca, Paula Aparecida. “Gardens in Perspective: Dialogue Between the Garden of Parreira’s House, from Eça De Queirós’ Short-Story ‘José Matias’, and Claude Monet’s Gladioli”. Terra Roxa E Outras Terras: Revista De Estudos Literários, vol. 24, Dec. 2012, pp. 104-16, doi:10.5433/1678-2054.2012v24p104.

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Vol. 24 (2012): Diálogo da literatura com as outras artes

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