Machado, Alencar’s spectator – the interdiscursive scene in the second half of the Nineteenth century
DOI:
https://doi.org/10.5433/1678-2054.2008v14p24Keywords:
Nineteenth century theater, José de Alencar, Machado de Assis, InterdiscursivityAbstract
These notes go over José de Alencar’s play “O que é o casamento?”, 1861, and the fictional prose by Machado de Assis, in his short story “Curiosity”, 1879. The “contents precipitation” Peter Szondi names stems from the historically-conditioned synthesis found at a certain time. We discuss Machado’s contribution to this end, with the refinement of his fictional prose, the anticipation of clearly modern trends related to the fetish-subject, the strong negotiation with readers/spectators, and the concrete and interdiscursive overcoming of his contemporaneous playwriting, in which Alencar stood out.Downloads
References
ASSIS, Joaquim Maria Machado de. História de quinze dias. Crônicas. São Paulo: Globo, 1997.
ASSIS, Joaquim Maria Machado de. Curiosidade. Gustavo Bernardo Krause, org. Contos de amor e ciúme. Rio de Janeiro: Rocco Jovens Leitores, 2008.
BAKHTIN, Mikhail. Problemas da poética de Dostoiévski. Trad. Paulo Bezerra. Rio de Janeiro: Forense Universitária, 1981.
CALZAVARA, Rosemari Bendlin. Comédias Refinadas: o teatro de Machado de Assis. XI Congresso Internacional da ABRALIC Tessituras, Interações, Convergências. 13 a 17 de julho de 2008. USP – São Paulo, Brasil.
CANDIDO, Antonio. “Literatura como sistema” ------. Formação da literatura brasileira. Belo Horizonte/Rio de Janeiro: Itatiaia, 1993. v.1
FARIA, João Roberto. Machado de Assis, leitor e crítico de teatro. Estudos Avançados (São Paulo) 18.51 (2004): 299-333. Disponível em http://www.scielo.br/scielo.php?script=sci_arttext&pid=S0103-40142004000200020&lng=en&nrm=iso. Acesso em 17/09/2008.
GLEDSON, John. Machado de Assis: impostura e realismo; uma reinterpretação de Dom Casmurro. Trad. Fernando Py. São Paulo: Companhia das Letras, 1991.
HOLANDA, Sérgio Buarque. Raízes do Brasil. 26.ed. São Paulo: Companhia das Letras, 1995.
SZONDI, Peter. Teoria do drama moderno [1880-1950]. Trad. Luiz Sérgio Repa. São Paulo: Cosac & Naify Edições, 2001.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in this journal agree to the following terms:
a) The authors retain the copyright and grant the journal the right of first publication, the work being simultaneously licensed under the Creative Commons Attribution-NonCommercial 4.0 International License, allowing the sharing of the work with acknowledgment of the authorship of the work and initial publication in this journal.
b) Authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c) Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
d) The authors of the approved works authorize the journal to, after publication, transfer their content for reproduction in content indexers, virtual libraries and the like.
e) The authors assume that the texts submitted for publication are of their original creation, taking full responsibility for their content in case of any objection by third parties.