Croqui, ruffle paper

Abstract

The current fashion approaches of art and thought to express critical concepts through spectacles on catwalks in which causes the audience to be puzzled, and leaving traces of reflection. This text aims to contaminate the Deleuzian concept in the creative processes of "creative being" whether artist or fashion designer. The work of artist and designer Jum Nakao permeate the space of critical theory, the power of his works spreads the multiplicity of possible combinations to think about the return, the new. The method Nakao proposes in the building of current fashion spreads itself by mis-seaming the object (clothes) to be reflected in the pieces (molds), experiencing the absence of totality, and forcing other possible connections instead of always repeating the same patterns sewn on the body. Such appropriation of contemporary artistic techniques Nakao magnifies theoretically as well as his name and brand in the fashion market.