Picturesque, a thought of art.
DOI:
https://doi.org/10.5433/2237-9126.2015v9n17p218Keywords:
Picturesque aesthetic, William Gilpin, 18th century.Abstract
Introduced to the conceptual repertoire of the theory of art in the second half of the 18th century, the picturesque attained autonomy as a formal artistic canon, understood as a kind of composition that differed from the classic paradigm of beauty. Therefore, the aesthetical concept of picturesque constituted complex historical phenomena, whose implications stretched along many cultural scopes such as gardening, literature, fashion and politics. Thus, picturesque contributed to the edification of the romantic sensitivity along the 19th century, molding a new shape for apprehending and conceiving a world based upon the visuals. This article aims at following the theoretical itinerary of the concept along the time and also the critical reflections of its main promoter, the Anglican clergyman, William Gilpin.References
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BURKE, Peter. Testemunha ocular: história e imagem. Bauru, São Paulo: EDUSC, 2004. DAEMMRICH, Ingrid G. The ruins motif as artistic device in French literature. The Journal of aesthetics and art criticism, Londres, v. 30, n. 4, p. 449-457, 1972.
DIENER, Pablo. A viagem pitoresca como categoria estética e a prática de viajantes. Revista Porto Arte, Porto Alegre, v. 15, n. 25, p. 59-73, 2008.
GILPIN, William. Tres ensayos sobre la belleza pintoresca. Madrid: Abada editores, Lecturas de paisaje, 2004.
GOMES JÚNIOR, Guilherme Simões. Arte da paisagem e viagem pitoresca: romantismo entre academia e mercado. Revista Brasileira de Ciências Sociais, v. 27, n. 79, p. 107-123, 2012.
GRAS BALAGAR, Menene. Estudio preliminar. In: BURKE, Edmund. De lo sublime y de lo bello. Madri: Editorial Tecnos, 2001. p. 7-23.
HUNT, John Dixon. The picturesque garden in Europe. London: Thames and Hudson, 2003.
MADERUELO, Javier. La teoría de lo pintoresco y la obra de William Gilpin. In: GILPIN, William. Tres ensayos sobre la belleza pintoresca. Madrid: Abada editores, Lecturas de paisaje, 2004. p. 7-43
PEVSNER, Nikolaus. The genesis of the Picturesque. In: Studies in Art, Architecture and Design. From Maneirism to Romanticism. Londres: Thames and Hudson, 1968. V. 1. p. 79-101.
SCHAMA, Simon. Paisagem e Memória. São Paulo: Companhia das Letras, 1996.
WATKIN, David. The English Vision. The Picturesque in Architecture, Landscape and Garden Design. Londres: John Murray, 1982.
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